Paula P. Manzanedo
- Producer
- 11 on MovieCove · 12 credits in all
What are Paula P. Manzanedo's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 8
A split, not a type: Light 3 · Serious 3 · Dark 4
Grounded 6 · Stylized 4 · Heightened 0
Gentle 3 · Charged 4 · Intense 3
Steady 6 · Shifting 2 · Whiplash 2
Straight-faced 8 · Some laughs 1 · Funny 1
Slow burn 5 · Even-paced 5 · Relentless 0
Casual 3 · Engaged 6 · Full focus 1
Easy watch 2 · Affecting 5 · Heavy 3
Resolved 8 · Open-ended 0 · Ambiguous 2
Moods and endings
- Happy2
- Bittersweet5
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paula P. Manzanedo's films?
As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service, most on Netflix (2).
Subscription and free streaming for Paula P. Manzanedo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 11 with a MovieCove page.
In the Hand of Dante(2025)
Midcredits score: 17th percentile of all films
Evil Genius(2026)
Midcredits score: 79th percentile of all films
Happy Hours(2026)
Midcredits score: 90th percentile of all films (provisional, few ratings)
Song of the Hands (not in the MovieCove catalog yet)(2025)
A Father's Miracle(2025)
Midcredits score: 73rd percentile of all films
Food and Country(2023)
Midcredits score: 57th percentile of all films
Memory(2023)
Midcredits score: 73rd percentile of all films
Electrophilia(2023)
Midcredits score: 25th percentile of all films
Dive(2022)
Midcredits score: 83rd percentile of all films
Midcredits score: 44th percentile of all films
Goldie(2019)
Midcredits score: 65th percentile of all films
Free Color(2020)
Midcredits score: 85th percentile of all films (provisional, few ratings)
Career shape
A full career of 8 titles from 2020 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Paula P. Manzanedo's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up4
- 50th to 74th4
- 25th to 49th2
- Below 25th1
Shape of the crowd
6 of their 11 titles are Mixed.
- Loved with Detractors1
- Cult Classic2
- Crowd Pleaser2
- Mixed6
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Paula P. Manzanedo work with?
People who share at least 2 of Paula P. Manzanedo's MovieCove titles, grouped by what they did on them; Moises Chiver shares the most, 3.
Directors
- Laura GabbertShared titles: Food and Country (2023), Ottolenghi and the Cakes of Versailles (2020)See all 2 shared titles with Laura Gabbert
- Lucía PuenzoShared titles: Electrophilia (2023), Dive (2022)See all 2 shared titles with Lucía Puenzo
Composers, cinematographers and editors
- Misael BustosShared titles: Electrophilia (2023), Dive (2022)See all 2 shared titles with Misael Bustos
- Nicolás PuenzoShared titles: Electrophilia (2023), Dive (2022)See all 2 shared titles with Nicolás Puenzo
- Philip OwensShared titles: Food and Country (2023), Ottolenghi and the Cakes of Versailles (2020)See all 2 shared titles with Philip Owens
- Ryan RumeryShared titles: Food and Country (2023), Ottolenghi and the Cakes of Versailles (2020)See all 2 shared titles with Ryan Rumery
Producers
- Moises ChiverShared titles: In the Hand of Dante (2025), Memory (2023), Dive (2022)See all 3 shared titles with Moises Chiver
- Amy JarvelaShared titles: Evil Genius (2026), Happy Hours (2026)See all 2 shared titles with Amy Jarvela
- Peter ColemanShared titles: Evil Genius (2026), Happy Hours (2026)See all 2 shared titles with Peter Coleman
- Olmo SchnabelShared titles: In the Hand of Dante (2025), Memory (2023)See all 2 shared titles with Olmo Schnabel
