Sophie Schmit

What are Sophie Schmit's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sophie Schmit's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

• Pluto TV1 title, browse their movies on this service
  • Subway (1985) · writer, editor · free
• Tubi1 title, browse their movies on this service
  • Subway (1985) · writer, editor · free

Subscription and free streaming for Sophie Schmit's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 4 with a MovieCove page.

• 

  Great Idea (not in the MovieCove catalog yet)(2000)

  Editor
• 

  Les secrets professionnels du Docteur Apfelgluck(1991)

  Editor

  Midcredits score: 27th percentile of all films27^th
• 

  Thick Skinned (not in the MovieCove catalog yet)(1989)

  Editor
• 

  Taxi Boy(1986)

  Editor

  Midcredits score: 1st percentile of all films (provisional, few ratings)~1^st
• 

  Subway(1985)

  Editor · Screenplay

  Midcredits score: 66th percentile of all films66^th
• 

  The Last Battle(1983)

  Editor

  Midcredits score: 71st percentile of all films71^st
• 

  The Penultimate (not in the MovieCove catalog yet)(1981)

  Editor

Career shape

A full career of 7 titles from 1981 to 2000.

Biggest box office

Subway (1985)

$391K worldwide

Highest rated

The Last Battle (1983)

Midcredits 71^st

How do Sophie Schmit's films land?

Their typical MovieCove film has a Midcredits score in the 47^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 49^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

121

• Universally Panned1
• Crowd Pleaser2
• Mixed1

Most divisive · editor

Les secrets professionnels du Docteur Apfelgluck (1991)

51^st percentile spread · 29% rated it 4 or lower

Most loved · editor

The Last Battle (1983)

Midcredits 71^st · 65% liked

Reviewers score the pacing 42/100 in their films, across 3 reviewed titles; fans 58, detractors 23. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sophie Schmit work with?

People who share at least 2 of Sophie Schmit's MovieCove titles, grouped by what they did on them; Luc Besson shares the most, 2.