- Editor and producer, also director
- 12 on MovieCove · 21 credits in all
Known for
What are Ken Schneider's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Society and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
A split, not a type: Light 6 · Serious 5 · Dark 1
Grounded 10 · Stylized 2 · Heightened 0
A split, not a type: Gentle 7 · Charged 5 · Intense 0
Steady 11 · Shifting 1 · Whiplash 0
Straight-faced 12 · Some laughs 0 · Funny 0
Slow burn 9 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 6 · Full focus 1
Easy watch 3 · Affecting 6 · Heavy 3
Resolved 11 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet6
- Ambiguous2
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ken Schneider's films?
As of October 24, 2026, 8 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Ken Schneider's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 12 with a MovieCove page.
Murders That Matter (not in the MovieCove catalog yet)(2023)
A Double Life(2023)
Midcredits score: 59th percentile of all films (provisional, few ratings)
Midcredits score: 86th percentile of all films (provisional, few ratings)
Truth to Power(2020)
Midcredits score: 15th percentile of all films
Beyond the Opposite Sex(2018)
Midcredits score: 37th percentile of all films
Midcredits score: 48th percentile of all films (provisional, few ratings)
The Judge(2017)
Midcredits score: 83rd percentile of all films
And Then They Came for Us (not in the MovieCove catalog yet)(2017)
Mankiller (not in the MovieCove catalog yet)(2017)
Breathin': The Eddy Zheng Story (not in the MovieCove catalog yet)(2016)
In Football We Trust(2015)
Midcredits score: 72nd percentile of all films
Midcredits score: 82nd percentile of all films
Midcredits score: 87th percentile of all films
Midcredits score: 62nd percentile of all films
Bolinao 52 (not in the MovieCove catalog yet)(2008)
Midcredits score: 82nd percentile of all films
In Camera: The Naïve Visual Effects of 'Bram Stoker's Dracula' (not in the MovieCove catalog yet)(2007)
The Costumes Are the Sets: The Design of Eiko Ishioka (not in the MovieCove catalog yet)(2007)
Midcredits score: 65th percentile of all films (provisional, few ratings)
Store Wars: When Wal-Mart Comes to Town (not in the MovieCove catalog yet)(2001)
Regret to Inform (not in the MovieCove catalog yet)(1999)
Career shape
A full career of 15 titles from 1999 to 2023.
Biggest box office
Awake: The Life of Yogananda (2014)
Highest rated
Awake: The Life of Yogananda (2014)
Most popular right now
The Blood Is the Life: The Making of 'Bram Stoker's Dracula' (2007)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ken Schneider's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th2
- Below 25th1
Shape of the crowd
4 of their 12 titles are Divisive.
- Universally Loved1
- Loved with Detractors1
- Divisive4
- Cult Classic2
- Crowd Pleaser2
- Mixed2
Reviewers score the pacing 59/100 in their films, across 4 reviewed titles; fans 65, detractors 38. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ken Schneider work with?
People who share at least 2 of Ken Schneider's MovieCove titles, grouped by what they did on them; Erika Cohn shares the most, 2.
Directors
- Erika CohnShared titles: The Judge (2017), In Football We Trust (2015)See all 2 shared titles with Erika Cohn
Cinematographers
- Andrew BlackShared titles: Los Hermanos/the Brothers (2020), 50 Children: The Rescue Mission of Mr. and Mrs. Kraus (2013)See all 2 shared titles with Andrew Black
- David SperlingShared titles: Los Hermanos/the Brothers (2020), 50 Children: The Rescue Mission of Mr. and Mrs. Kraus (2013)See all 2 shared titles with David Sperling
- Vicente FrancoShared titles: Los Hermanos/the Brothers (2020), Truth to Power (2020)See all 2 shared titles with Vicente Franco
Producers
- Abby GinzbergShared titles: A Double Life (2023), Truth to Power (2020)See all 2 shared titles with Abby Ginzberg
- Marcia JarmelShared titles: Los Hermanos/the Brothers (2020), 50 Children: The Rescue Mission of Mr. and Mrs. Kraus (2013)See all 2 shared titles with Marcia Jarmel
- Geralyn White DreyfousShared titles: The Judge (2017), In Football We Trust (2015)See all 2 shared titles with Geralyn White Dreyfous
- Mark LipsonShared titles: The Judge (2017), In Football We Trust (2015)See all 2 shared titles with Mark Lipson