Andreas Schneppe

What are Andreas Schneppe's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andreas Schneppe's films?

As of October 24, 2026, none of Andreas Schneppe's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Andreas Schneppe's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Schwarzach 23 und das mörderische ich(2020)

  Producer · Writer

  Midcredits score: 18th percentile of all films (provisional, few ratings)~18^th
• 

  Sara Stein: Jewels In The Grave(2019)

  Producer

  Midcredits score: 64th percentile of all films (provisional, few ratings)~64^th
• 

  Sara Stein: Shalom Berlin, Shalom Tel Aviv(2016)

  Producer

  Midcredits score: 67th percentile of all films (provisional, few ratings)~67^th
• 

  Die Rache der Wanderhure(2012)

  Producer

  Midcredits score: 16th percentile of all films16^th

Career shape

Across a limited sample of 4 MovieCove titles from 2012 to 2020.

Most popular right now

Die Rache der Wanderhure (2012)

How do Andreas Schneppe's films land?

Their typical MovieCove film has a Midcredits score in the 41^st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 47^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

22

• Crowd Pleaser2
• Mixed2

Most divisive · producer

Die Rache der Wanderhure (2012)

58^th percentile spread · 41% rated it 4 or lower

Most loved · producer

Die Rache der Wanderhure (2012)

Midcredits 16^th · 25% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andreas Schneppe work with?

People who share at least 2 of Andreas Schneppe's MovieCove titles, grouped by what they did on them; Sven Burgemeister shares the most, 4.