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Remko Schnorr

Cinematographer · Born December 14, 1974 (51)

Born
December 14, 1974 (51)
Works as
Cinematographer
Titles
5 on MovieCove · 21 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 32% in 30 days

What are Remko Schnorr's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Ideas and Self.

Themes

share of theme weight
Ideas
32%
Self
29%
Power
19%
Society
12%
Bonds
8%
Identity2 titles, browse their movies with this themeTruth3 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 0 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 0 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 2 · Full focus 2

Ambiguous: How much is left for you to interpret. Browse their ambiguous movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 1 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Warm
2
Tense
1
Absurd
1
Cold
1
Other
3

How their films linger

Thought-provoking4 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Remko Schnorr's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Remko Schnorr's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 5 with a MovieCove page.

  • Melpomène(2026)

    Cinematographer

    Midcredits score: 71st percentile of all films (provisional, few ratings)

  • The Pervert's Guide to Utopias (not in the MovieCove catalog yet)(2026)

    Cinematographer

  • Barre (not in the MovieCove catalog yet)(2023)

    Cinematographer

  • Wedding of the Century (not in the MovieCove catalog yet)(2021)

    Cinematographer

  • Chaos Theory (not in the MovieCove catalog yet)(2021)

    Cinematographer

  • Sihja - The Rebel Fairy (not in the MovieCove catalog yet)(2021)

    Cinematographer

  • The Taste of Desire (not in the MovieCove catalog yet)(2021)

    Cinematographer

  • Seven Year Old Self (not in the MovieCove catalog yet)(2019)

    Camera Operator

  • Eurasia (Questions on Happiness) (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Possessed(2018)

    Cinematographer

    Midcredits score: 24th percentile of all films (provisional, few ratings)

  • Grace Jones: Bloodlight and Bami(2017)

    Cinematographer

    Midcredits score: 59th percentile of all films

  • Alfredo (not in the MovieCove catalog yet)(2016)

    Camera Operator

  • Koffie & Cake (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • The Pervert's Guide to Ideology(2012)

    Cinematographer

    Midcredits score: 95th percentile of all films

  • Over Your Cities Grass Will Grow (not in the MovieCove catalog yet)(2011)

    Cinematographer

  • Missing (not in the MovieCove catalog yet)(2009)

    Cinematographer

  • AlpTraum (not in the MovieCove catalog yet)(2008)

    Cinematographer

  • Ball Possession (not in the MovieCove catalog yet)(2007)

    Cinematographer

  • The Pervert's Guide to Cinema(2006)

    Cinematographer

    Midcredits score: 96th percentile of all films

  • The Rage of the Whole World (not in the MovieCove catalog yet)(2006)

    Cinematographer

  • Tow-Truck Pluck (not in the MovieCove catalog yet)(2004)

    Cinematographer

Career shape

A full career of 21 titles from 2004 to 2026.

Biggest box office

Grace Jones: Bloodlight and Bami (2017)

$632K worldwide

Highest rated

The Pervert's Guide to Cinema (2006)

Midcredits 96th

Most popular right now

Melpomène (2026)

By role

only this rolewith another role
Cinematography19 of 21: 19 only cinematography, 0 with another role · typical Midcredits score71stOther crew2 of 21: 2 only other crew, 0 with another role

By decade

2000s6 · crew2010s8 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Remko Schnorr's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 73rd percentile for acclaim.

Acclaim · how much people like their films

73rdpercentile
Typical film, the median of 5

Approval · how many liked their films

66thpercentile
Typical film, the median of 5

Reach · how many have seen their films

56thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • Below 25th1

Shape of the crowd

2 of their 5 titles are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser1
  • Mixed2

Most divisive · cinematographer

Possessed (2018)

77th percentile spread · 43% rated it 4 or lower

Most loved · cinematographer

The Pervert's Guide to Cinema (2006)

Midcredits 96th · 86% liked

Reviewers score the cinematography 70/100 in their films, across 3 reviewed titles; fans 76, detractors 52. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Remko Schnorr work with?

People who share at least 2 of Remko Schnorr's MovieCove titles, grouped by what they did on them; Sophie Fiennes shares the most, 3.

Directors

Writers

Producers