Thomas Schobel
- Composer
- 10 on MovieCove
What are Thomas Schobel's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 9
A split, not a type: Light 1 · Serious 3 · Dark 6
Grounded 5 · Stylized 5 · Heightened 0
Gentle 0 · Charged 6 · Intense 4
Steady 0 · Shifting 7 · Whiplash 3
Straight-faced 7 · Some laughs 2 · Funny 1
Slow burn 2 · Even-paced 8 · Relentless 0
Casual 3 · Engaged 7 · Full focus 0
Easy watch 2 · Affecting 4 · Heavy 4
Resolved 6 · Open-ended 3 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet5
- Tragic2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Thomas Schobel's films?
As of October 24, 2026, 4 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Thomas Schobel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 10 with a MovieCove page.
Discarnate(2018)
Midcredits score: 20th percentile of all films
Super Hybrid(2010)
Midcredits score: 8th percentile of all films
Midcredits score: 73rd percentile of all films
Admissions(2004)
Midcredits score: 42nd percentile of all films
Quiet Days in Hollywood(1997)
Midcredits score: 6th percentile of all films
The Break(1997)
Midcredits score: 27th percentile of all films
The Harmonists(1997)
Midcredits score: 84th percentile of all films
If Looks Could Kill(1996)
Midcredits score: 23rd percentile of all films
The O.J. Simpson Story(1995)
Midcredits score: 6th percentile of all films
The Magic Voyage(1992)
Midcredits score: 7th percentile of all films
Career shape
Across their 10 MovieCove titles from 1992 to 2018.
How do Thomas Schobel's films land?
Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 17th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th2
- Below 25th6
Shape of the crowd
7 of their 10 titles are Mixed.
- Cult Classic1
- Crowd Pleaser2
- Mixed7
Reviewers score the sound and music 52/100 in their films, across 6 reviewed titles; fans 62, detractors 34. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Thomas Schobel work with?
People who share at least 2 of Thomas Schobel's MovieCove titles, grouped by what they did on them; Harald Kloser shares the most, 7.
Composers
- Harald KloserShared titles: Discarnate (2018), Quiet Days in Hollywood (1997), The Break (1997), The Harmonists (1997), If Looks Could Kill (1996), The O.J. Simpson Story (1995), The Magic Voyage (1992)See all 7 shared titles with Harald Kloser
- Martin TillmanShared titles: Super Hybrid (2010), Admissions (2004)See all 2 shared titles with Martin Tillman
Producers
- Bob LemchenShared titles: If Looks Could Kill (1996), The O.J. Simpson Story (1995)See all 2 shared titles with Bob Lemchen