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Andreas Schreitmüller

Andreas Schreitmüller

Producer · Born May 15, 1956 (70) · Konstanz, Germany

Andreas Schreitmüller was born on 15 May 1956 in Konstanz, Baden-Württemberg, Germany. He is a producer and actor, known for Run Lola Run (1998), The Lives of Others (2006) and Good Bye Lenin! (2003).

Biography from IMDb.

Born
May 15, 1956 (70)
From
Konstanz, Germany
Works as
Producer
Titles
59 on MovieCove · 81 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 12% in 30 days

What are Andreas Schreitmüller's films like?

Across their 59 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Drama29 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Drama movies
Comedy8 titlesTypical Midcredits score: 67th percentile
: browse their Comedy movies
Biography6 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Biography movies
Crime6 titlesTypical Midcredits score: 66th percentile
: browse their Crime movies
Adventure4 titlesTypical Midcredits score: 53rd percentile
: browse their Adventure movies
Action3 titlesTypical Midcredits score: 87th percentile, at or above their average across these genres
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
22%
Morality
19%
Survival
17%
Self
17%
Power
13%
Society
6%
Ideas
6%
Romantic love13 titles, browse their movies with this themeIdentity15 titles, browse their movies with this themeFamily bonds12 titles, browse their movies with this themeSurvival8 titles, browse their movies with this themeFreedom9 titles, browse their movies with this themeGrief8 titles, browse their movies with this themeGuilt7 titles, browse their movies with this themeOppression6 titles, browse their movies with this theme

What they feel like to watch

their average across 58 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 8 · Serious 9 · Dark 41

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 35 · Stylized 20 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 30 · Intense 26

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 26 · Shifting 24 · Whiplash 8

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 48 · Some laughs 8 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 31 · Even-paced 23 · Relentless 4

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 39 · Full focus 12

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 5 · Affecting 18 · Heavy 35

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 23 · Open-ended 19 · Ambiguous 16

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
39
Melancholic
38
Dread
13
Contemplative
17
Romantic
8
Other
44

How their films linger

Thought-provoking35 titles, browse their movies with this aftertasteHaunting23 titles, browse their movies with this aftertasteBittersweet23 titles, browse their movies with this aftertasteUnsettling16 titles, browse their movies with this aftertasteHopeful10 titles, browse their movies with this aftertasteDevastating7 titles, browse their movies with this aftertaste

How their films end · 11 with a twist

  • Happy2
  • Bittersweet28
  • Tragic10
  • Ambiguous19

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andreas Schreitmüller's films?

As of October 24, 2026, 28 of their 59 MovieCove titles stream on a subscription or free service, most on Tubi (13).

Also on these channels

Subscription and free streaming for Andreas Schreitmüller's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

81 credits, 59 with a MovieCove page.

  • You Will Not Have My Hate(2022)

    Co-Producer

    Midcredits score: 52nd percentile of all films

  • Triangle of Sadness(2022)

    Producer

    Midcredits score: 85th percentile of all films

  • Copilot(2021)

    Producer

    Midcredits score: 58th percentile of all films

  • The House(2021)

    Producer

    Midcredits score: 49th percentile of all films

  • Vatersland (not in the MovieCove catalog yet)(2020)

    Editorial Staff

  • Undine(2020)

    Commissioning Editor · Producer

    Midcredits score: 69th percentile of all films

  • And Tomorrow the Entire World(2020)

    Producer

    Midcredits score: 56th percentile of all films

  • Enfant Terrible(2020)

    Producer

    Midcredits score: 32nd percentile of all films

  • One of These Days(2020)

    Producer

    Midcredits score: 42nd percentile of all films

  • The Final Problem (not in the MovieCove catalog yet)(2019)

    Commissioning Editor

  • Lara(2019)

    Commissioning Editor · Producer

    Midcredits score: 80th percentile of all films

  • Roads(2019)

    Commissioning Editor · Producer

    Midcredits score: 62nd percentile of all films

  • Cedar Wolf (not in the MovieCove catalog yet)(2019)

    Commissioning Editor

  • Bauhaus - A New Era(2019)

    Show Producer

    Midcredits score: 68th percentile of all shows

  • Blame Game(2019)

    Producer

    Midcredits score: 54th percentile of all films

  • Unterm Birnbaum(2019)

    Producer

    Midcredits score: 32nd percentile of all films

  • Crossroads (not in the MovieCove catalog yet)(2018)

    Commissioning Editor

  • Goliath96(2018)

    Producer

    Midcredits score: 38th percentile of all films

  • Mack the Knife - Brecht's Threepenny Film(2018)

    Producer

    Midcredits score: 70th percentile of all films

  • Never Look Away(2018)

    Producer

    Midcredits score: 97th percentile of all films

  • Transit(2018)

    Producer

    Midcredits score: 81st percentile of all films

  • Harrinator (not in the MovieCove catalog yet)(2017)

    Commissioning Editor

  • Return to Montauk(2017)

    Supervising Producer

    Midcredits score: 40th percentile of all films

  • Iceman(2017)

    Producer

    Midcredits score: 58th percentile of all films

  • Salt and Fire(2016)

    Co-Producer

    Midcredits score: 5th percentile of all films

  • Greetings from Fukushima (not in the MovieCove catalog yet)(2016)

    Commissioning Editor

  • Die Schwalbe(2016)

    Producer

    Midcredits score: 71st percentile of all films

  • Paula(2016)

    Producer

    Midcredits score: 60th percentile of all films

  • Shepherds and Butchers(2016)

    Producer

    Midcredits score: 70th percentile of all films

  • Victoria(2015)

    Co-Producer

    Midcredits score: 94th percentile of all films

  • Every Thing Will Be Fine(2015)

    Commissioning Editor · Producer

    Midcredits score: 20th percentile of all films

  • Punk Berlin 1982(2015)

    Co-Producer

    Midcredits score: 35th percentile of all films

  • 300 Worte Deutsch (not in the MovieCove catalog yet)(2015)

    Editorial Staff

  • 13 Minutes(2015)

    Producer

    Midcredits score: 78th percentile of all films

  • Beloved Sisters(2014)

    Commissioning Editor · Producer

    Midcredits score: 48th percentile of all films

  • The Black Brothers (not in the MovieCove catalog yet)(2014)

    Commissioning Editor

  • Phoenix(2014)

    Producer

    Midcredits score: 91st percentile of all films

  • Stereo(2014)

    Producer

    Midcredits score: 61st percentile of all films

  • Home from Home: Chronicle of a Vision(2013)

    Producer

    Midcredits score: 96th percentile of all films

  • Run Boy Run(2013)

    Producer

    Midcredits score: 87th percentile of all films

  • The Adventures of Huck Finn(2012)

    Co-Producer

    Midcredits score: 35th percentile of all films

  • Lost in Siberia (not in the MovieCove catalog yet)(2012)

    Co-Producer

  • Barbara(2012)

    Commissioning Editor · Producer

    Midcredits score: 89th percentile of all films

  • The Wall(2012)

    Producer

    Midcredits score: 71st percentile of all films

  • Tom Sawyer(2011)

    Co-Producer

    Midcredits score: 48th percentile of all films

  • Summer Window (not in the MovieCove catalog yet)(2011)

    Producer

  • UFO in Her Eyes(2011)

    Co-Producer

    Midcredits score: 40th percentile of all films

  • Baikonur (not in the MovieCove catalog yet)(2011)

    Producer

  • Stopped on Track(2011)

    Producer

    Midcredits score: 91st percentile of all films

  • 3(2010)

    Producer

    Midcredits score: 65th percentile of all films

  • When We Leave(2010)

    Producer

    Midcredits score: 88th percentile of all films

  • Antichrist(2009)

    Co-Producer

    Midcredits score: 65th percentile of all films

  • Sometime in August (not in the MovieCove catalog yet)(2009)

    Producer

  • Heart of Fire (not in the MovieCove catalog yet)(2009)

    Commissioning Editor

  • Saviors in the Night(2009)

    Producer

    Midcredits score: 55th percentile of all films

  • 10 Sekunden (not in the MovieCove catalog yet)(2008)

    Associate Producer

  • Jerichow(2008)

    Producer

    Midcredits score: 81st percentile of all films

  • Cloud 9 (not in the MovieCove catalog yet)(2008)

    Associate Producer

  • Yella (not in the MovieCove catalog yet)(2007)

    Producer

  • My Führer(2007)

    Producer

    Midcredits score: 27th percentile of all films

  • The Free Will (not in the MovieCove catalog yet)(2006)

    Producer

  • The Lives of Others(2006)

    Co-Producer

    Midcredits score: 99th percentile of all films

  • Tough Enough(2006)

    Producer

    Midcredits score: 81st percentile of all films

  • Ghosts(2005)

    Commissioning Editor · Producer

    Midcredits score: 72nd percentile of all films

  • Don't Come Knocking(2005)

    Associate Producer

    Midcredits score: 62nd percentile of all films

  • Sophie Scholl: The Final Days(2005)

    Co-Producer

    Midcredits score: 94th percentile of all films

  • Die Konferenz (not in the MovieCove catalog yet)(2005)

    Producer

  • Go for Zucker(2004)

    Executive Producer

    Midcredits score: 68th percentile of all films

  • Cowgirl (not in the MovieCove catalog yet)(2004)

    Co-Producer

  • Head-On(2004)

    Producer

    Midcredits score: 97th percentile of all films

  • Love in Thoughts(2004)

    Producer

    Midcredits score: 78th percentile of all films

  • Good Bye Lenin!(2003)

    Producer

    Midcredits score: 97th percentile of all films

  • Taxi für eine Leiche (not in the MovieCove catalog yet)(2002)

    Commissioning Editor

  • Mörderherz(2002)

    Producer

    Midcredits score: 20th percentile of all films (provisional, few ratings)

  • The State I Am In(2000)

    Producer

    Midcredits score: 79th percentile of all films

  • Gigantic(1999)

    Producer

    Midcredits score: 93rd percentile of all films

  • Gloomy Sunday(1999)

    Producer

    Midcredits score: 96th percentile of all films

  • Run Lola Run(1998)

    Producer

    Midcredits score: 95th percentile of all films

  • The Giraffe(1998)

    Producer

    Midcredits score: 48th percentile of all films

  • Beyond Silence (not in the MovieCove catalog yet)(1996)

    Producer

  • Westler: East of the Wall (not in the MovieCove catalog yet)(1985)

    Producer

Career shape

A full career of 49 titles from 1985 to 2022.

Biggest box office

Good Bye Lenin! (2003)

$79M worldwide

Highest rated

The Lives of Others (2006)

Midcredits 99th

Most popular right now

Triangle of Sadness (2022)

By role

only this rolewith another role
Producing32 of 49: 32 only producing, 0 with another role · typical Midcredits score67thOther crew17 of 49: 17 only other crew, 0 with another role · typical Midcredits score69th

By decade

1980s1 · crew1990s2 · crew2000s19 · crew2010s24 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andreas Schreitmüller's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 58; across their 58 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 58

Approval · how many liked their films

68thpercentile
Typical film, the median of 58

Reach · how many have seen their films

71stpercentile
Typical film, the median of 58

Midcredits score across 59 titles, by percentile

  • 75th and up23
  • 50th to 74th20
  • 25th to 49th13
  • Below 25th3

Shape of the crowd

30 of their 59 titles are Crowd Pleasers.

  • Universally Loved10
  • Universally Panned1
  • Crowd Pleaser30
  • Broadly Agreed3
  • Mixed15

Most divisive · producer

Enfant Terrible (2020)

78th percentile spread · 37% rated it 4 or lower

Most loved · producer

The Lives of Others (2006)

Midcredits 99th · 93% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Andreas Schreitmüller's work okay for kids?

Across up to 15 MovieCove titles with content scores, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore10 titles36–87 · median 53 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity15 titles19–81 · median 53 · moderateheavier than most filmsMedian of all films: 32
Profanity8 titles19–78 · median 49 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs9 titles31–75 · median 40 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense9 titles31–87 · median 55 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Andreas Schreitmüller work with?

People who share at least 2 of Andreas Schreitmüller's MovieCove titles, grouped by what they did on them; Barbara Buhl shares the most, 10.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers