Arnold Schulman

What are Arnold Schulman's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Arnold Schulman's films?

As of October 24, 2026, 7 of their 12 MovieCove titles stream on a subscription or free service, most on Pluto TV (4).

• Pluto TV4 titles, browse their movies on this service
  • Tucker: The Man and His Dream (1988) · writer · free
  • Goodbye, Columbus (1969) · writer · free
  • A Chorus Line (1985) · writer · free
  • The Night They Raided Minsky's (1968) · writer · free
• Tubi3 titles, browse their movies on this service
  • Tucker: The Man and His Dream (1988) · writer · free
  • A Chorus Line (1985) · writer · free
  • A Hole in the Head (1959) · writer · free
• HBO Max1 title, browse their movies on this service
  • And the Band Played On (1993) · writer, producer
• MGM+1 title, browse their movies on this service
  • The Night They Raided Minsky's (1968) · writer
• STARZ1 title, browse their movies on this service
  • Tucker: The Man and His Dream (1988) · writer

Subscription and free streaming for Arnold Schulman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 12 with a MovieCove page.

• 

  And the Band Played On(1993)

  Co-Producer · Teleplay

  Midcredits score: 93rd percentile of all films93^rd
• 

  Tucker: The Man and His Dream(1988)

  Screenplay

  Midcredits score: 79th percentile of all films79^th
• 

  A Chorus Line(1985)

  Screenplay

  Midcredits score: 51st percentile of all films51^st
• 

  Players (not in the MovieCove catalog yet)(1979)

  Executive Producer · Writer
• 

  Won Ton Ton: The Dog Who Saved Hollywood(1976)

  Producer · Writer

  Midcredits score: 13th percentile of all films13^th
• 

  Funny Lady(1975)

  Screenplay · Story

  Midcredits score: 47th percentile of all films47^th
• 

  To Find a Man(1972)

  Screenplay

  Midcredits score: 68th percentile of all films68^th
• 

  Goodbye, Columbus(1969)

  Screenplay

  Midcredits score: 56th percentile of all films56^th
• 

  The Night They Raided Minsky's(1968)

  Screenplay

  Midcredits score: 45th percentile of all films45^th
• 

  Love with the Proper Stranger(1963)

  Writer

  Midcredits score: 88th percentile of all films88^th
• 

  Cimarron(1960)

  Screenplay

  Midcredits score: 54th percentile of all films54^th
• 

  A Hole in the Head(1959)

  Writer

  Midcredits score: 51st percentile of all films51^st
• 

  Wild Is the Wind(1957)

  Screenplay

  Midcredits score: 69th percentile of all films69^th
• 

  Bang the Drum Slowly (not in the MovieCove catalog yet)(1956)

  Adaptation
• 

  Sherwood Anderson's I'm A Fool (not in the MovieCove catalog yet)(1954)

  Screenplay
• 

  General Electric Theater (not in the MovieCove catalog yet)(1953)

  Show 303 episodes · Producer

Career shape

A full career of 16 titles from 1953 to 1993.

Biggest box office

Funny Lady (1975)

$39M worldwide

Highest rated

And the Band Played On (1993)

Midcredits 93^rd

Most popular right now

A Chorus Line (1985)

How do Arnold Schulman's films land?

Their typical MovieCove film has a Midcredits score in the 55^th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 56^th percentile for acclaim.

Shape of the crowd

8 of their 12 titles are Crowd Pleasers.

83

• Universally Loved1
• Crowd Pleaser8
• Mixed3

Most divisive · writer

To Find a Man (1972)

70^th percentile spread · 16% rated it 4 or lower

Most loved · writer, producer

And the Band Played On (1993)

Midcredits 93^rd · 85% liked

Reviewers score the dialogue 54/100 and the plot and story 49/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Arnold Schulman's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Arnold Schulman work with?

People who share at least 2 of Arnold Schulman's MovieCove titles, grouped by what they did on them; Royce Wallace shares the most, 2.