John Schultz

What are John Schultz's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Schultz's films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service.

• Disney+3 titles, browse their movies on this service
  • Adventures in Babysitting (2016) · director, producer
  • Drive Me Crazy (1999) · director
  • Like Mike (2002) · director
• Tubi3 titles, browse their movies on this service
  • Like Mike (2002) · director · free
  • Aliens in the Attic (2009) · director · free
  • Judy Moody and the Not Bummer Summer (2011) · director · free
• Netflix2 titles, browse their movies on this service
  • A Christmas Prince: The Royal Wedding (2018) · director
  • A Christmas Prince: The Royal Baby (2019) · director
• The Roku Channel2 titles, browse their movies on this service
  • When Zachary Beaver Came to Town (2003) · director, writer · free
  • Judy Moody and the Not Bummer Summer (2011) · director · free
• MGM+1 title, browse their movies on this service
  • The Honeymooners (2005) · director
• Prime Video1 title, browse their movies on this service
  • Judy Moody and the Not Bummer Summer (2011) · director

Subscription and free streaming for John Schultz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page.

• 

  A Christmas Prince: The Royal Baby(2019)

  Director

  Midcredits score: 28th percentile of all films28^th
• 

  A Christmas Prince: The Royal Wedding(2018)

  Director

  Midcredits score: 29th percentile of all films29^th
• 

  Adventures in Babysitting(2016)

  Director · Producer

  Midcredits score: 54th percentile of all films54^th
• 

  Judy Moody and the Not Bummer Summer(2011)

  Director

  Midcredits score: 21st percentile of all films21^st
• 

  Aliens in the Attic(2009)

  Director

  Midcredits score: 27th percentile of all films27^th
• 

  The Honeymooners(2005)

  Director

  Midcredits score: 4th percentile of all films4^th
• 

  When Zachary Beaver Came to Town(2003)

  Director · Writer

  Midcredits score: 38th percentile of all films38^th
• 

  Like Mike(2002)

  Director

  Midcredits score: 33rd percentile of all films33^rd
• 

  Drive Me Crazy(1999)

  Director

  Midcredits score: 45th percentile of all films45^th
• 

  Bandwagon (not in the MovieCove catalog yet)(1997)

  Director · Producer · Writer
• 

  The Making of 'Jurassic Park'(1995)

  Director · Writer

  Midcredits score: 91st percentile of all films91^st

Career shape

A full career of 11 titles from 1995 to 2019.

Biggest box office

Like Mike (2002)

$62M worldwide

Highest rated

The Making of 'Jurassic Park' (1995)

Midcredits 91^st

Most popular right now

Aliens in the Attic (2009)

How do John Schultz's films land?

Their typical MovieCove film has a Midcredits score in the 31^st percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 37^th percentile for acclaim.

Shape of the crowd

9 of their 10 titles are Mixed.

9

• Crowd Pleaser1
• Mixed9

Most divisive · director

Judy Moody and the Not Bummer Summer (2011)

87^th percentile spread · 46% rated it 4 or lower

Most loved · director, writer

The Making of 'Jurassic Park' (1995)

Midcredits 91^st · 78% liked

Reviewers score the atmosphere 54/100 and the pacing 44/100 in their films, across 9 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Schultz's work okay for kids?

Across up to 6 MovieCove titles with content scores, 2 of the 4 categories sit near the median of all films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John Schultz work with?

People who share at least 2 of John Schultz's MovieCove titles, grouped by what they did on them; John Pace shares the most, 7.