Giovanni Scolaro
Writer · Born January 1, 1921 (105) · Rome, Kingdom of Italy [now Italy]
- January 1, 1921 (105)
- Rome, Kingdom of Italy [now Italy]
- Writer
- 6 on MovieCove · 25 credits in all
Known for
What are Giovanni Scolaro's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 2 · Serious 2 · Dark 2
Grounded 1 · Stylized 4 · Heightened 1
Gentle 0 · Charged 5 · Intense 1
Steady 3 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 2 · Funny 0
Slow burn 0 · Even-paced 5 · Relentless 1
Casual 4 · Engaged 2 · Full focus 0
Easy watch 5 · Affecting 1 · Heavy 0
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Giovanni Scolaro's films?
As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Giovanni Scolaro's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 6 with a MovieCove page.

Dangerous Love (not in the MovieCove catalog yet)(1981)

The Other Woman (not in the MovieCove catalog yet)(1981)

The Sons of White Fang (not in the MovieCove catalog yet)(1974)

Monika (not in the MovieCove catalog yet)(1974)

Karate, Fist and Beans (not in the MovieCove catalog yet)(1973)

...e continuavano a mettere lo diavolo ne lo inferno (not in the MovieCove catalog yet)(1973)

Paid in Blood (not in the MovieCove catalog yet)(1971)

Seven Minutes to Die (not in the MovieCove catalog yet)(1969)

Dead Are Countless(1969)
Midcredits score: 30th percentile of all films
The Battle of the Damned(1969)
Midcredits score: 3rd percentile of all films
One Step to Hell (not in the MovieCove catalog yet)(1968)

Uccidete Johnny Ringo(1966)
Midcredits score: 9th percentile of all films (provisional, few ratings)
Secret Agent 777 (not in the MovieCove catalog yet)(1965)

From the Orient with Fury (not in the MovieCove catalog yet)(1965)

The Revenge of Ivanhoe (not in the MovieCove catalog yet)(1965)
Midcredits score: 1st percentile of all films
Hercules Against Rome (not in the MovieCove catalog yet)(1964)
Midcredits score: 7th percentile of all films
Brennus, Enemy of Rome (not in the MovieCove catalog yet)(1963)

Zorro in the Court of Spain (not in the MovieCove catalog yet)(1963)

Caesar the Conqueror(1962)
Midcredits score: 7th percentile of all films
The Vengeance of Ursus (not in the MovieCove catalog yet)(1961)

Triumph of Maciste (not in the MovieCove catalog yet)(1961)

The Eternal Chain (not in the MovieCove catalog yet)(1952)

Margaret of Cortona (not in the MovieCove catalog yet)(1950)
Career shape
A full career of 24 titles from 1950 to 1981.

Highest rated
Hercules Against the Moon Men (1964)

Most popular right now
Die Goldsucher von Arkansas (1964)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Giovanni Scolaro's films land?
Their typical MovieCove film has a Midcredits score in the 7th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 13th percentile for acclaim.
- 25th to 49th1
- Below 25th5
Shape of the crowd
3 of their 6 titles are Mixed.
- Universally Panned2
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 35/100 and the plot and story 43/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Giovanni Scolaro work with?
People who share at least 2 of Giovanni Scolaro's MovieCove titles, grouped by what they did on them; Arpad DeRiso shares the most, 5.
Writers
- Arpad DeRisoShared titles: Dead Are Countless (1969), The Battle of the Damned (1969), Uccidete Johnny Ringo (1966), Hercules Against the Moon Men (1964), Caesar the Conqueror (1962)See all 5 shared titles with Arpad DeRiso
Composers
- Marcello GiombiniShared titles: Dead Are Countless (1969), The Battle of the Damned (1969)See all 2 shared titles with Marcello Giombini
Producers
- Luigi MondelloShared titles: Hercules Against the Moon Men (1964), Caesar the Conqueror (1962)See all 2 shared titles with Luigi Mondello