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Ann Scott

Producer · Born January 1, 1942 (84) · UK

Born
January 1, 1942 (84)
From
UK
Works as
Producer
Titles
5 on MovieCove · 38 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 28% in 30 days

What are Ann Scott's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
46%
Self
22%
Morality
14%
Society
10%
Power
4%
Ideas
3%
Family bonds2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 1 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 1 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 4 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 1 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
3
Melancholic
2
Contemplative
3
Bittersweet
2
Romantic
2
Other
3

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ann Scott's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Ann Scott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

38 credits, 5 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Tamla Rose (not in the MovieCove catalog yet)(2013)

    Producer

  • The Only Boy for Me (not in the MovieCove catalog yet)(2006)

    Producer

  • Station Jim(2001)

    Producer

    Midcredits score: 82nd percentile of all films

  • Hideous Kinky(1998)

    Producer

    Midcredits score: 45th percentile of all films

  • Painted Angels (not in the MovieCove catalog yet)(1998)

    Producer

  • Cold Enough for Snow (not in the MovieCove catalog yet)(1997)

    Producer

  • Swann (not in the MovieCove catalog yet)(1997)

    Producer

  • Interview Day(1996)

    Producer

    Midcredits score: 90th percentile of all films

  • Nervous Energy (not in the MovieCove catalog yet)(1995)

    Producer

  • Enchanted April(1991)

    Producer

    Midcredits score: 87th percentile of all films

  • Happy Feet (not in the MovieCove catalog yet)(1991)

    Producer

  • Tree of Hands (not in the MovieCove catalog yet)(1989)

    Producer

  • Dead Lucky (not in the MovieCove catalog yet)(1988)

    Producer

  • The Good Father(1985)

    Producer

    Midcredits score: 49th percentile of all films

  • Laughterhouse (not in the MovieCove catalog yet)(1984)

    Producer

  • The Ploughman's Lunch (not in the MovieCove catalog yet)(1983)

    Producer

  • The Remainder Man (not in the MovieCove catalog yet)(1982)

    Producer

  • God Speed Co-operation (not in the MovieCove catalog yet)(1982)

    Producer

  • Commitments (not in the MovieCove catalog yet)(1982)

    Producer

  • Country (not in the MovieCove catalog yet)(1981)

    Producer

  • The Cherry Orchard (not in the MovieCove catalog yet)(1981)

    Producer

  • Pasmore (not in the MovieCove catalog yet)(1980)

    Producer

  • We Never Do What They Want (not in the MovieCove catalog yet)(1978)

    Script Editor

  • Through the Night (not in the MovieCove catalog yet)(1975)

    Producer

  • After the Solo (not in the MovieCove catalog yet)(1975)

    Producer

  • Children of the Sun (not in the MovieCove catalog yet)(1975)

    Producer

  • Keep an Eye on Albert (not in the MovieCove catalog yet)(1975)

    Producer

  • The Dandelion Clock (not in the MovieCove catalog yet)(1975)

    Producer

  • Back of Beyond (not in the MovieCove catalog yet)(1974)

    Script Editor

  • The Cheviot, the Stag and the Black, Black Oil (not in the MovieCove catalog yet)(1974)

    Script Editor

  • Joe's Ark (not in the MovieCove catalog yet)(1974)

    Script Editor

  • Centre Play (not in the MovieCove catalog yet)(1973)

    Show 1 episode · Producer

  • Speech Day (not in the MovieCove catalog yet)(1973)

    Script Editor

  • Only Make Believe (not in the MovieCove catalog yet)(1973)

    Script Editor

  • Kisses at Fifty (not in the MovieCove catalog yet)(1973)

    Script Editor

  • Traitor (not in the MovieCove catalog yet)(1971)

    Script Editor

  • Robin Redbreast (not in the MovieCove catalog yet)(1970)

    Script Editor

  • Angels Are So Few (not in the MovieCove catalog yet)(1970)

    Script Editor

Career shape

A full career of 37 titles from 1970 to 2013.

Biggest box office

Enchanted April (1991)

$13M worldwide

Highest rated

Enchanted April (1991)

Midcredits 87th

Most popular right now

Hideous Kinky (1998)

By role

only this rolewith another role
Writing10 of 37: 10 only writing, 0 with another roleProducing27 of 37: 27 only producing, 0 with another role

By decade

1970s16 · crew1980s11 · crew1990s7 · crew2000s2 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ann Scott's films land?

Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 5

Approval · how many liked their films

80thpercentile
Typical film, the median of 5

Reach · how many have seen their films

43rdpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 25th to 49th2

Shape of the crowd

2 of their 5 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Mixed2

Most divisive · producer

The Good Father (1985)

52nd percentile spread · 15% rated it 4 or lower

Most loved · producer

Interview Day (1996)

Midcredits 90th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ann Scott work with?

People who share at least 2 of Ann Scott's MovieCove titles, grouped by what they did on them; Mike Newell shares the most, 2.

Directors

Actors

Cinematographers

Producers