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Gary S. Scott

Composer

Works as
Composer
Titles
7 on MovieCove · 16 credits in all
TMDB popularity, last 38 days to Oct 27Down 37% in 30 days

What are Gary S. Scott's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 2 · Dark 0

Grounded 4 · Stylized 0 · Heightened 0

Gentle 2 · Charged 2 · Intense 0

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Thrilling
2
Melancholic
3
Warm
3
Triumphant
1
Other
3

How their films end · 1 with a twist

  • Happy3
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gary S. Scott's films?

As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service, most on The Roku Channel (6).

Subscription and free streaming for Gary S. Scott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 7 with a MovieCove page.

  • Richie Rich (not in the MovieCove catalog yet)(2015)

    Show 21 episodes · Composer

  • Scream Bloody Murder (not in the MovieCove catalog yet)(2003)

    Composer

  • 3 Ninjas: Knuckle Up(1995)

    Composer

    Midcredits score: 14th percentile of all films
  • Walker, Texas Ranger(1993)

    Show Composer

    Midcredits score: 15th percentile of all shows
  • Play Nice (not in the MovieCove catalog yet)(1992)

    Composer

  • Write to Kill (not in the MovieCove catalog yet)(1991)

    Composer

  • Deceptions(1990)

    Composer

    Midcredits score: 7th percentile of all films
  • Hollywood Dog (not in the MovieCove catalog yet)(1990)

    Composer

  • Beverly Hills, 90210(1990)

    Show Composer

    Midcredits score: 36th percentile of all shows
  • Tales from the Crypt(1989)

    Show 1 episode · Additional Music

    Midcredits score: 90th percentile of all shows
  • Midcredits score: 39th percentile of all films
  • Freddy's Nightmares (not in the MovieCove catalog yet)(1988)

    Show 2 episodes · Composer

  • Roadhouse 66(1984)

    Composer

    Midcredits score: 21st percentile of all films
  • Deadly Force (not in the MovieCove catalog yet)(1983)

    Composer

  • Final Exam (not in the MovieCove catalog yet)(1981)

    Composer

  • Standing Room Only: Cher in Concert (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 14 titles, 13 of them dated from 1981 to 2015.

By role

only this rolewith another role
Directing1 of 14: 1 only directing, 0 with another roleMusic13 of 14: 13 only music, 0 with another role · typical Midcredits score21st

By decade

1980s6 · crew1990s5 · crew2000s1 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gary S. Scott's films land?

Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 24th percentile for acclaim.

Acclaim · how much people like their films

24thpercentile
Typical film, the median of 4

Approval · how many liked their films

15thpercentile
Typical film, the median of 4

Reach · how many have seen their films

40thpercentile
Typical film, the median of 4

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 25th to 49th2
  • Below 25th4

Reviewers score the sound and music 47/100 in their films, across 3 reviewed titles; fans 63, detractors 27. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gary S. Scott work with?

People who share at least 2 of Gary S. Scott's MovieCove titles, grouped by what they did on them; Christian I. Nyby II shares the most, 2.

Directors

Composers and cinematographers