Aubrey Scotto
Director · Died June 24, 1953, aged 57
- August 21, 1895
- June 24, 1953 (aged 57)
- Director
- 5 on MovieCove · 34 credits in all
What are Aubrey Scotto's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 5 · Serious 0 · Dark 0
Grounded 3 · Stylized 2 · Heightened 0
Gentle 4 · Charged 1 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 2
A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 1
Casual 5 · Engaged 0 · Full focus 0
Easy watch 5 · Affecting 0 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Aubrey Scotto's films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Prime Video (2).
Subscription and free streaming for Aubrey Scotto's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
34 credits, 5 with a MovieCove page.

Jazz Ball(1956)
Midcredits score: 79th percentile of all films (provisional, few ratings)I Was a Convict (not in the MovieCove catalog yet)(1939)
Gambling Ship (not in the MovieCove catalog yet)(1938)

Little Miss Roughneck (not in the MovieCove catalog yet)(1938)

Blazing Barriers(1937)
Midcredits score: 28th percentile of all films (provisional, few ratings)
Happy-Go-Lucky(1936)
Midcredits score: 17th percentile of all films (provisional, few ratings)
Follow Your Heart (not in the MovieCove catalog yet)(1936)

Ticket to Paradise(1936)
Midcredits score: 38th percentile of all films
Palm Springs (not in the MovieCove catalog yet)(1936)

Hitch Hike Lady (not in the MovieCove catalog yet)(1935)

$1000 a Minute(1935)
Midcredits score: 35th percentile of all films
Smart Girl (not in the MovieCove catalog yet)(1935)

Private Worlds (not in the MovieCove catalog yet)(1935)

I Hate Women (not in the MovieCove catalog yet)(1934)
Aces Wild (not in the MovieCove catalog yet)(1933)

Walking the Baby (not in the MovieCove catalog yet)(1933)

Let's Dance (not in the MovieCove catalog yet)(1933)
The Acid Test (not in the MovieCove catalog yet)(1932)

Your Hat (not in the MovieCove catalog yet)(1932)
The Divorce Racket (not in the MovieCove catalog yet)(1932)
Breaking Even (not in the MovieCove catalog yet)(1932)
Vest With A Tale (not in the MovieCove catalog yet)(1932)
Ireno (not in the MovieCove catalog yet)(1932)

A Rhapsody in Black and Blue (not in the MovieCove catalog yet)(1932)

The Babbling Book (not in the MovieCove catalog yet)(1932)
Naughty-Cal (not in the MovieCove catalog yet)(1932)
Close Farm-ony (not in the MovieCove catalog yet)(1932)

Uncle Moses (not in the MovieCove catalog yet)(1932)

Musical Justice (not in the MovieCove catalog yet)(1931)
Taxi Tangle (not in the MovieCove catalog yet)(1931)
Be Like Me (not in the MovieCove catalog yet)(1931)
Old Man Blues (not in the MovieCove catalog yet)(1931)

The Viking (not in the MovieCove catalog yet)(1928)

Cleopatra (not in the MovieCove catalog yet)(1928)
Career shape
A full career of 33 titles from 1928 to 1939.
How do Aubrey Scotto's films land?
Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up1
- 25th to 49th3
- Below 25th1
Shape of the crowd
None of their 5 titles divides audiences: 4 are Mixed.
- Crowd Pleaser1
- Mixed4
Reviewers score the pacing 62/100 in their films, across 3 reviewed titles; fans 70, detractors 55. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Aubrey Scotto work with?
People who share at least 2 of Aubrey Scotto's MovieCove titles, grouped by what they did on them; Ernest Miller shares the most, 3.
Writers
- Jack NattefordShared titles: Ticket to Paradise (1936), $1000 a Minute (1935)See all 2 shared titles with Jack Natteford
Actors
- Roger PryorShared titles: Ticket to Paradise (1936), $1000 a Minute (1935)See all 2 shared titles with Roger Pryor

Cinematographers and editors
- Ernest MillerShared titles: Happy-Go-Lucky (1936), Ticket to Paradise (1936), $1000 a Minute (1935)See all 3 shared titles with Ernest Miller
- Murray SeldeenShared titles: Happy-Go-Lucky (1936), Ticket to Paradise (1936)See all 2 shared titles with Murray Seldeen
Producers
- Nat LevineShared titles: Happy-Go-Lucky (1936), Ticket to Paradise (1936), $1000 a Minute (1935)See all 3 shared titles with Nat Levine


