Manuel Sebares

What are Manuel Sebares' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Manuel Sebares' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Hour of Death (1964) · writer · free
  • A Few Dollars for Django (1966) · writer · free
  • When Heroes Die (1970) · writer · free
• Prime Video2 titles, browse their movies on this service
  • Hour of Death (1964) · writer
  • When Heroes Die (1970) · writer

Subscription and free streaming for Manuel Sebares' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  When Heroes Die(1970)

  Writer

  Midcredits score: 5th percentile of all films5^th
• 

  Twenty Thousand Dollars for Seven(1969)

  Writer

  Midcredits score: 20th percentile of all films (provisional, few ratings)~20^th
• 

  A Few Dollars for Django(1966)

  Writer

  Midcredits score: 24th percentile of all films24^th
• 

  Hour of Death(1964)

  Writer

  Midcredits score: 35th percentile of all films35^th

Career shape

Across a limited sample of 4 MovieCove titles from 1964 to 1970.

Highest rated

A Few Dollars for Django (1966)

Midcredits 24^th

How do Manuel Sebares' films land?

Their typical MovieCove film has a Midcredits score in the 22^nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 28^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 2 are Broadly Agreed.

121

• Universally Panned1
• Broadly Agreed2
• Mixed1

Most loved · writer

Hour of Death (1964)

Midcredits 35^th · 43% liked

Reviewers score the plot and story 52/100 in their films, across 3 reviewed titles; fans 63, detractors 38. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Manuel Sebares work with?

People who share at least 2 of Manuel Sebares' MovieCove titles, grouped by what they did on them; Fernando Sancho shares the most, 2.