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Bernardo Segall

Composer

Works as
Composer
Titles
8 on MovieCove · 17 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 21% in 30 days

What are Bernardo Segall's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
26%
Self
24%
Bonds
14%
Power
14%
Society
12%
Morality
10%
Violence2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

A split, not a type: Light 0 · Serious 5 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 6 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 7 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 2 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 3 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 5 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
5
Dread
2
Absurd
2
Hopeful
1
Other
4

How their films linger

Thought-provoking5 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Bittersweet5
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bernardo Segall's films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Bernardo Segall's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 8 with a MovieCove page.

  • Turnover Smith (not in the MovieCove catalog yet)(1980)

    Composer

  • To Fly! (not in the MovieCove catalog yet)(1976)

    Composer

  • Homebodies(1974)

    Composer

    Midcredits score: 61st percentile of all films

  • The Girl Most Likely to...(1973)

    Composer

    Midcredits score: 82nd percentile of all films

  • Moon of the Wolf(1972)

    Composer

    Midcredits score: 14th percentile of all films

  • Aunt Isabel's Garden (not in the MovieCove catalog yet)(1972)

    Composer

  • Nichols (not in the MovieCove catalog yet)(1971)

    Show 24 episodes · Composer

  • The Jesus Trip(1971)

    Composer

    Midcredits score: 24th percentile of all films

  • Night Slaves (not in the MovieCove catalog yet)(1970)

    Composer

  • Loving(1970)

    Composer · Conductor

    Midcredits score: 48th percentile of all films

  • Dr. Heidegger's Experiment (not in the MovieCove catalog yet)(1969)

    Composer

  • Custer of the West(1967)

    Composer

    Midcredits score: 37th percentile of all films

  • Hallucination Generation(1966)

    Composer

    Midcredits score: 3rd percentile of all films

  • The Fisherman and His Soul (not in the MovieCove catalog yet)(1961)

    Composer · Producer

  • The Conquest of Light (not in the MovieCove catalog yet)(1960)

    Composer

  • The St. Louis Bank Robbery(1959)

    Composer

    Midcredits score: 36th percentile of all films

  • A Esperança é Eterna (not in the MovieCove catalog yet)(1954)

    Composer

Career shape

A full career of 15 titles from 1954 to 1980.

Highest rated

The Girl Most Likely to... (1973)

Midcredits 82nd

By role

only this rolewith another role
Producing1 of 15: 0 only producing, 1 with another roleMusic15 of 15: 13 only music, 2 with another role · typical Midcredits score43rdOther crew1 of 15: 0 only other crew, 1 with another role

By decade

1950s1 · crew1960s5 · crew1970s8 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Bernardo Segall's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 8

Approval · how many liked their films

30thpercentile
Typical film, the median of 8

Reach · how many have seen their films

47thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th3

Shape of the crowd

4 of their 8 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed4

Most divisive · composer

The Jesus Trip (1971)

68th percentile spread · 33% rated it 4 or lower

Most loved · composer

The Girl Most Likely to... (1973)

Midcredits 82nd · 78% liked

Reviewers score the sound and music 48/100 in their films, across 7 reviewed titles; fans 61, detractors 40. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bernardo Segall work with?

People who share at least 2 of Bernardo Segall's MovieCove titles, grouped by what they did on them; Peter Parasheles shares the most, 3.

Actors

Cinematographers and editors

Producers