Juan Serra
Juan Serra was a Spanish film editor and assistant director.
Biography from TMDB.
- Editor
- 6 on Motif · 34 credits in all
What are Juan Serra's films like?
Across their 6 Motif titles with a thematic analysis, their films lean Morality and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 1 · Serious 2 · Dark 3
Grounded 3 · Stylized 3 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 3
Steady 2 · Shifting 4 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 1
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 4
A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 1
Moods and endings
- Bittersweet2
- Tragic1
- Ambiguous2
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Juan Serra's films?
As of October 24, 2026, 4 of their 6 Motif titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Juan Serra's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
34 credits, 6 with a Motif page.
Widows' Nest (not in the Motif catalog yet)(1977)
Who Can Kill a Child?(1976)
Midcredits score: 88th percentile of all films
Beyond Desire (not in the Motif catalog yet)(1976)
El televisor(1974)
Midcredits score: 92nd percentile of all films
Midcredits score: 57th percentile of all films
Doc(1971)
Midcredits score: 49th percentile of all films
El ángel(1969)
Midcredits score: 26th percentile of all films (provisional, few ratings)
Four Rode Out(1969)
Midcredits score: 4th percentile of all films
Savage Pampas (not in the Motif catalog yet)(1966)
Kill and Be Killed (not in the Motif catalog yet)(1962)
Familia provisional (not in the Motif catalog yet)(1958)
El inquilino (not in the Motif catalog yet)(1958)
Pride (not in the Motif catalog yet)(1955)
Paz (not in the Motif catalog yet)(1949)
La duquesa de Benamejí (not in the Motif catalog yet)(1949)
Jalisco canta en Sevilla (not in the Motif catalog yet)(1949)
Currito de la Cruz (not in the Motif catalog yet)(1949)
Locura de amor (not in the Motif catalog yet)(1948)
La princesa de los Ursinos (not in the Motif catalog yet)(1947)
Don Quixote (not in the Motif catalog yet)(1947)
Reina santa (not in the Motif catalog yet)(1947)
El crimen de Pepe Conde (not in the Motif catalog yet)(1946)
Un hombre de negocios (not in the Motif catalog yet)(1945)
El fantasma y doña Juanita (not in the Motif catalog yet)(1945)
Ella, él y sus millones (not in the Motif catalog yet)(1944)
The Nail (not in the Motif catalog yet)(1944)
Altar mayor (not in the Motif catalog yet)(1944)
Boda accidentada (not in the Motif catalog yet)(1943)
La boda de Quinita Flores (not in the Motif catalog yet)(1943)
La condesa María (not in the Motif catalog yet)(1942)
Viaje sin destino (not in the Motif catalog yet)(1942)
El hombre que se quiso matar (not in the Motif catalog yet)(1942)
El difunto es un vivo (not in the Motif catalog yet)(1941)
Un día de guerra en el Frente de Aragón (not in the Motif catalog yet)(1936)
Career shape
A full career of 33 titles from 1936 to 1977.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do Juan Serra's films land?
Their typical Motif film has a Midcredits score in the 53rd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed2
Reviewers score the pacing 41/100 in their films, across 5 reviewed titles; fans 50, detractors 23. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Juan Serra work with?
People who share at least 2 of Juan Serra's Motif titles, grouped by what they did on them; Waldo de los Ríos shares the most, 3.
Directors
- Narciso Ibáñez SerradorShared titles: Who Can Kill a Child? (1976), El televisor (1974)See all 2 shared titles with Narciso Ibáñez Serrador
Actors
- María Fernanda D'OcónShared titles: El televisor (1974), Don Quijote cabalga de nuevo (1973)See all 2 shared titles with María Fernanda D'Ocón
Composers
- Waldo de los RíosShared titles: Who Can Kill a Child? (1976), El televisor (1974), Don Quijote cabalga de nuevo (1973)See all 3 shared titles with Waldo de los Ríos
