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Giorgio Serrallonga

Editor

Works as
Editor
Titles
17 on MovieCove · 28 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 25% in 30 days

What are Giorgio Serrallonga's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy8 titlesTypical Midcredits score: 37th percentile, at or above their average across these genres
: browse their Comedy movies
Action3 titlesTypical Midcredits score: 10th percentile
: browse their Action movies
Drama3 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Drama movies
Horror2 titlesTypical Midcredits score: 18th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Self
18%
Survival
17%
Morality
15%
Society
10%
Ideas
7%
Power
4%
Romantic love5 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeFriendship4 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeTruth2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 4 · Wry 2 · Earnest 10

Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 12 · Serious 2 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 5 · Heightened 6

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 6 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 8 · Shifting 7 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 5 · Funny 6

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 11 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 6 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 13 · Open-ended 0 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
8
Tense
7
Dread
4
Joyful
4
Thrilling
5
Other
14

How their films linger

Fun10 titles, browse their movies with this aftertasteFeel-good7 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy7
  • Bittersweet7
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Giorgio Serrallonga's films?

As of October 24, 2026, 8 of their 17 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Giorgio Serrallonga's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 17 with a MovieCove page.

  • Ci sarà un giorno (Il giovane Pertini) (not in the MovieCove catalog yet)(1993)

    Editor

  • Quo Vadis?(1985)

    Show 6 episodes · Editor

    Midcredits score: 21st percentile of all shows

  • Yor: The Hunter from the Future(1983)

    Editor

    Midcredits score: 10th percentile of all films

  • The World of Yor (not in the MovieCove catalog yet)(1983)

    Show 4 episodes · Editor

  • Car Crash (not in the MovieCove catalog yet)(1981)

    Editor

  • Cannibal Apocalypse(1980)

    Editor

    Midcredits score: 27th percentile of all films

  • Skin Deep(1979)

    Editor

    Midcredits score: 25th percentile of all films

  • L'altra metà del cielo (not in the MovieCove catalog yet)(1977)

    Editor

  • Turn the Other Cheek(1974)

    Editor

    Midcredits score: 56th percentile of all films

  • Fantasma en el Oeste(1978)

    Editor

    Midcredits score: 3rd percentile of all films

  • The Stranger and the Gunfighter(1974)

    Editor

    Midcredits score: 33rd percentile of all films

  • Seven Deaths in the Cats Eyes(1973)

    Editor

    Midcredits score: 28th percentile of all films

  • Eneide (not in the MovieCove catalog yet)(1971)

    Show 7 episodes · Editor

  • A Lizard in a Woman's Skin(1971)

    Editor

    Midcredits score: 76th percentile of all films

  • Youth March (not in the MovieCove catalog yet)(1969)

    Editor

  • Caprice Italian Style(1968)

    Editor

    Midcredits score: 52nd percentile of all films

  • Night Is Made for Stealing (not in the MovieCove catalog yet)(1967)

    Editor

  • The Witches(1967)

    Editor

    Midcredits score: 40th percentile of all films

  • A Rose for Everyone(1967)

    Editor

    Midcredits score: 38th percentile of all films

  • Make Love, Not War (not in the MovieCove catalog yet)(1966)

    Editor

  • For a Few Dollars More(1965)

    Editor

    Midcredits score: 99th percentile of all films

  • I complessi(1965)

    Editor

    Midcredits score: 88th percentile of all films

  • The Dolls (not in the MovieCove catalog yet)(1965)

    Editor

  • Controsesso (not in the MovieCove catalog yet)(1964)

    Editor

  • 3 notti d'amore(1964)

    Editor

    Midcredits score: 32nd percentile of all films

  • High Infidelity(1964)

    Editor

    Midcredits score: 36th percentile of all films

  • Family Diary (not in the MovieCove catalog yet)(1962)

    Assistant Editor

  • Battle of the Worlds(1961)

    Editor

    Midcredits score: 8th percentile of all films

Career shape

A full career of 26 titles from 1962 to 1993.

Biggest box office

For a Few Dollars More (1965)

$15M worldwide

Highest rated

For a Few Dollars More (1965)

Midcredits 99th

By role

only this rolewith another role
Editing25 of 26: 25 only editing, 0 with another role · typical Midcredits score33rdOther crew1 of 26: 1 only other crew, 0 with another role

By decade

1960s12 · crew1970s8 · crew1980s5 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Giorgio Serrallonga's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 16

Approval · how many liked their films

36thpercentile
Typical film, the median of 16

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 16

Midcredits score across 17 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th8
  • Below 25th4

Shape of the crowd

9 of their 17 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed9

Most divisive · editor

Yor: The Hunter from the Future (1983)

75th percentile spread · 53% rated it 4 or lower

Most loved · editor

For a Few Dollars More (1965)

Midcredits 99th · 92% liked

Reviewers score the pacing 39/100 in their films, across 9 reviewed titles; fans 51, detractors 22. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Giorgio Serrallonga's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles26–58 · median 42 · moderateheavier than most filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Giorgio Serrallonga work with?

People who share at least 2 of Giorgio Serrallonga's MovieCove titles, grouped by what they did on them; Franco Rossi shares the most, 8.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers