Ray Shanklin
- Composer
- 3 on MovieCove
Known for
What are Ray Shanklin's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
A split, not a type: Ironic 2 · Wry 0 · Earnest 1
Light 0 · Serious 2 · Dark 1
A split, not a type: Grounded 1 · Stylized 0 · Heightened 2
Gentle 0 · Charged 1 · Intense 2
Steady 1 · Shifting 0 · Whiplash 2
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 1 · Relentless 1
Casual 0 · Engaged 2 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ray Shanklin's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Ray Shanklin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Heavy Traffic(1973)
Midcredits score: 68th percentile of all films
Black Girl(1972)
Midcredits score: 77th percentile of all films
Fritz the Cat(1972)
Midcredits score: 50th percentile of all films
Career shape
A full career of 3 titles from 1972 to 1973.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Ray Shanklin's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
2 of their 3 titles are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ray Shanklin work with?
People who share at least 2 of Ray Shanklin's MovieCove titles, grouped by what they did on them; Ed Bogas shares the most, 3.
Directors
- Ralph BakshiShared titles: Heavy Traffic (1973), Fritz the Cat (1972)See all 2 shared titles with Ralph Bakshi
Composers and cinematographers
- Ed BogasShared titles: Heavy Traffic (1973), Black Girl (1972), Fritz the Cat (1972)See all 3 shared titles with Ed Bogas
- Ted C. BemillerShared titles: Heavy Traffic (1973), Fritz the Cat (1972)See all 2 shared titles with Ted C. Bemiller
Producers
- Steve KrantzShared titles: Heavy Traffic (1973), Fritz the Cat (1972)See all 2 shared titles with Steve Krantz
