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Peter Shaw

Peter Shaw

Producer and writer

Works as
Producer and writer
Titles
9 on MovieCove

What are Peter Shaw's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Power.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 3 · Dark 4

A split, not a type: Grounded 5 · Stylized 4 · Heightened 0

A split, not a type: Gentle 2 · Charged 3 · Intense 4

Steady 4 · Shifting 5 · Whiplash 0

Straight-faced 7 · Some laughs 1 · Funny 1

Slow burn 4 · Even-paced 5 · Relentless 0

Casual 3 · Engaged 5 · Full focus 1

A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
5
Dread
3
Bittersweet
2
Joyful
1
Other
6

How their films end · 1 with a twist

  • Happy3
  • Bittersweet2
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Shaw's films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Peter Shaw's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • The Ninth Passenger(2018)

    Producer

    Midcredits score: 2nd percentile of all films
  • A Merry War(1997)

    Producer

    Midcredits score: 55th percentile of all films
  • The Tale of Sweeney Todd(1997)

    Producer · Writer

    Midcredits score: 44th percentile of all films
  • Taffin(1988)

    Producer

    Midcredits score: 25th percentile of all films
  • Castaway(1986)

    Producer

    Midcredits score: 45th percentile of all films
  • Champions(1984)

    Producer

    Midcredits score: 63rd percentile of all films
  • Enigma(1982)

    Producer

    Midcredits score: 39th percentile of all films
  • Eagle's Wing(1979)

    Producer

    Midcredits score: 39th percentile of all films
  • The Water Babies(1978)

    Producer

    Midcredits score: 53rd percentile of all films

Career shape

Across their 9 MovieCove titles from 1978 to 2018.

By role

only this rolewith another role
Writing1 of 9: 0 only writing, 1 with another roleProducing9 of 9: 8 only producing, 1 with another role · typical Midcredits score44th

By decade

1970s2 · crew1980s4 · crew1990s2 · crew2010s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Peter Shaw's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 9

Approval · how many liked their films

36thpercentile
Typical film, the median of 9

Reach · how many have seen their films

56thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 50th to 74th3
  • 25th to 49th5
  • Below 25th1

Reviewers score the dialogue 43/100 and the plot and story 46/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter Shaw's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 54 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Peter Shaw work with?

People who share at least 2 of Peter Shaw's MovieCove titles, grouped by what they did on them; Ben Arbeid shares the most, 3.

Writers

Actors

Composers and editors

Producers

Mixed roles