Aleksandr Shelenkov

What are Aleksandr Shelenkov's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aleksandr Shelenkov's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, on HBO Max (4).

• HBO Max4 titles, browse their movies on this service
  • War and Peace, Part III: The Year 1812 (1967) · cinematographer
  • War and Peace, Part IV: Pierre Bezukhov (1967) · cinematographer
  • War and Peace, Part I: Andrei Bolkonsky (1965) · cinematographer
  • War and Peace, Part II: Natasha Rostova (1965) · cinematographer

Subscription and free streaming for Aleksandr Shelenkov's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  War and Peace, Part III: The Year 1812(1967)

  Cinematographer

  Midcredits score: 99th percentile of all films99^th
• 

  War and Peace, Part IV: Pierre Bezukhov(1967)

  Cinematographer

  Midcredits score: 98th percentile of all films98^th
• 

  Bolshoi Ballet '67(1965)

  Director · Writer

  Midcredits score: 54th percentile of all films (provisional, few ratings)~54^th
• 

  War and Peace, Part I: Andrei Bolkonsky(1965)

  Cinematographer

  Midcredits score: 98th percentile of all films98^th
• 

  War and Peace, Part II: Natasha Rostova(1965)

  Cinematographer

  Midcredits score: 96th percentile of all films96^th
• 

  The Great Glinka(1946)

  Cinematographer

  Midcredits score: 58th percentile of all films (provisional, few ratings)~58^th

Career shape

Across their 6 MovieCove titles from 1946 to 1967.

Highest rated

War and Peace, Part III: The Year 1812 (1967)

Midcredits 99^th

Most popular right now

War and Peace, Part I: Andrei Bolkonsky (1965)

How do Aleksandr Shelenkov's films land?

Their typical MovieCove film has a Midcredits score in the 97^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 96^th percentile for acclaim.

Shape of the crowd

4 of their 6 titles are Universally Loved.

411

• Universally Loved4
• Divisive1
• Crowd Pleaser1

Most divisive · director, writer

Bolshoi Ballet '67 (1965)

95^th percentile spread · 33% rated it 4 or lower

Most loved · cinematographer

War and Peace, Part III: The Year 1812 (1967)

Midcredits 99^th · 88% liked

Reviewers score the cinematography 93/100 in their films, across 4 reviewed titles; fans 94, detractors 70. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aleksandr Shelenkov work with?

People who share at least 2 of Aleksandr Shelenkov's MovieCove titles, grouped by what they did on them; Kira Golovko shares the most, 5.