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Jack Sher

Jack Sher

Writer, director and producer · Died August 23, 1988, aged 75 · Minneapolis, Minnesota, United States

John Jacob Sher (16 March 1913 – 23 August 1988) was an American newspaper columnist, songwriter, film director, film writer, and producer. Born in Minneapolis, Sher wrote for several magazines, including the Saturday Evening Post, Esquire, Redbook, Radio Mirror, Reader's Digest, and Collier's. He also had been a columnist for the New York Reporter, and from 1937 to 1940 Screen & Radio Weekly, a nationally syndicated Sunday supplement published by the Detroit Free Press. Sher wrote a number of films for Audie Murphy, including in 1959, The Wild and the Innocent, which he also directed. In the 1979 remake for TV, The Kid from Left Field, Gary Coleman (1968–2010), who starred in the series, accepted the NAACP Image Award for Best Children's Special of Episode in a Series. Sher's 1971–1972 television play, Goodbye, Raggedy Ann was nominated for an Emmy for Outstanding Writing Achievement in Drama – Original Teleplay.

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Biography from TMDB.

Born
March 16, 1913
Died
August 23, 1988 (aged 75)
From
Minneapolis, Minnesota, United States
Works as
Writer, director and producer
Titles
15 on MovieCove · 23 credits in all
TMDB popularity, last 37 days to Oct 26Down 31% in 30 days

What are Jack Sher's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Light 11 · Serious 2 · Dark 1

Grounded 12 · Stylized 1 · Heightened 1

Gentle 7 · Charged 7 · Intense 0

Steady 9 · Shifting 5 · Whiplash 0

Straight-faced 5 · Some laughs 5 · Funny 4

Slow burn 4 · Even-paced 10 · Relentless 0

Casual 12 · Engaged 2 · Full focus 0

Resolved 11 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
7
Joyful
6
Hopeful
5
Tense
5
Romantic
4
Other
10

How their films end

  • Happy9
  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jack Sher's films?

As of October 24, 2026, 5 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Jack Sher's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 15 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The Kid from Left Field(1979)

    Story · Teleplay

    Midcredits score: 36th percentile of all films
  • Hello Mother, Goodbye! (not in the MovieCove catalog yet)(1974)

    Creator · Producer

  • Hello Mother, Goodbye! (not in the MovieCove catalog yet)(1974)

    Show 1 episode · Producer · Writer

  • Slither(1973)

    Producer

    Midcredits score: 48th percentile of all films
  • Female Artillery(1973)

    Story

    Midcredits score: 54th percentile of all films (provisional, few ratings)
  • Goodbye, Raggedy Ann (not in the MovieCove catalog yet)(1971)

    Producer · Writer

  • Bewitched(1964)

    Show 3 episodes · Writer

    Midcredits score: 80th percentile of all shows
  • Move Over, Darling(1963)

    Screenplay

    Midcredits score: 78th percentile of all films
  • Critic's Choice(1963)

    Screenplay

    Midcredits score: 33rd percentile of all films
  • Paris Blues(1961)

    Screenplay

    Midcredits score: 73rd percentile of all films
  • Love in a Goldfish Bowl (not in the MovieCove catalog yet)(1961)

    Director · Screenplay · Story

  • The 3 Worlds of Gulliver(1960)

    Director · Screenplay

    Midcredits score: 57th percentile of all films
  • The Wild and the Innocent(1959)

    Director · Screenplay

    Midcredits score: 65th percentile of all films
  • Kathy O' (not in the MovieCove catalog yet)(1958)

    Director · Screenplay · Story

  • Joe Butterfly (not in the MovieCove catalog yet)(1957)

    Writer

  • Four Girls in Town(1957)

    Director · Writer

    Midcredits score: 24th percentile of all films
  • Walk the Proud Land(1956)

    Screenplay

    Midcredits score: 64th percentile of all films
  • World in My Corner(1956)

    Screenplay · Story

    Midcredits score: 55th percentile of all films
  • Midcredits score: 56th percentile of all films
  • Shane(1953)

    Dialogue

    Midcredits score: 93rd percentile of all films
  • Off Limits (not in the MovieCove catalog yet)(1952)

    Screenplay · Story

  • My Favorite Spy(1951)

    Screenplay

    Midcredits score: 62nd percentile of all films
  • Goodbye, Raggedy Ann (not in the MovieCove catalog yet)

    Show Creator

Career shape

A full career of 23 titles, 22 of them dated from 1951 to 1979.

By role

only this rolewith another role
Directing5 of 23: 0 only directing, 5 with another roleWriting20 of 23: 13 only writing, 7 with another role · typical Midcredits score60thProducing4 of 23: 1 only producing, 3 with another roleOther crew2 of 23: 1 only other crew, 1 with another role

23 titles, 8 with more than one role — writing and directing overlap on 5 of them.

By decade

1950s10 · crew1960s6 · crew1970s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jack Sher's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 14

Approval · how many liked their films

60thpercentile
Typical film, the median of 14

Reach · how many have seen their films

45thpercentile
Typical film, the median of 14

Midcredits score across 15 titles, by percentile

  • 75th and up3
  • 50th to 74th8
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

9 of their 15 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser9
  • Broadly Agreed1
  • Mixed4

Reviewers score the dialogue 54/100 and the plot and story 47/100 in their films, across 14 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jack Sher work with?

People who share at least 2 of Jack Sher's MovieCove titles, grouped by what they did on them; Aaron Rosenberg shares the most, 4.

Directors

Actors

Composers and cinematographers

Producers