- Writer, also producer
- 13 on MovieCove · 22 credits in all
What are Ted Sherdeman's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
Light 4 · Serious 4 · Dark 3
A split, not a type: Grounded 7 · Stylized 3 · Heightened 1
Gentle 2 · Charged 6 · Intense 3
Steady 6 · Shifting 5 · Whiplash 0
Straight-faced 9 · Some laughs 2 · Funny 0
Slow burn 7 · Even-paced 4 · Relentless 0
Casual 7 · Engaged 4 · Full focus 0
Easy watch 4 · Affecting 6 · Heavy 1
Resolved 10 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet6
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ted Sherdeman's films?
As of October 24, 2026, 6 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Ted Sherdeman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 13 with a MovieCove page.
Latitude Zero(1969)
Midcredits score: 43rd percentile of all films
My Side of the Mountain(1969)
Midcredits score: 65th percentile of all films
Bewitched(1964)
Midcredits score: 80th percentile of all shows
Midcredits score: 58th percentile of all films
Misty(1961)
Midcredits score: 60th percentile of all films
The Big Show (not in the MovieCove catalog yet)(1961)
Hell to Eternity(1960)
Midcredits score: 78th percentile of all films
A Dog of Flanders (not in the MovieCove catalog yet)(1960)
Maracaibo (not in the MovieCove catalog yet)(1958)
St. Louis Blues(1958)
Midcredits score: 83rd percentile of all films
Wagon Train(1957)
Midcredits score: 62nd percentile of all shows
Away All Boats(1956)
Midcredits score: 49th percentile of all films
Toy Tiger (not in the MovieCove catalog yet)(1956)
The McConnell Story (not in the MovieCove catalog yet)(1955)
Them!(1954)
Midcredits score: 85th percentile of all films
Riding Shotgun(1954)
Midcredits score: 60th percentile of all films
The Eddie Cantor Story (not in the MovieCove catalog yet)(1953)
The Winning Team(1952)
Midcredits score: 60th percentile of all films
Retreat, Hell! (not in the MovieCove catalog yet)(1952)
Scandal Sheet (not in the MovieCove catalog yet)(1952)
Breakthrough (not in the MovieCove catalog yet)(1950)
Lust for Gold(1949)
Midcredits score: 68th percentile of all films
Career shape
A full career of 22 titles from 1949 to 1969.
Biggest box office
Them! (1954)
Highest rated
Them! (1954)
Most popular right now
Island of the Blue Dolphins (1964)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ted Sherdeman's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up4
- 50th to 74th7
- 25th to 49th2
Shape of the crowd
11 of their 13 titles are Crowd Pleasers.
- Crowd Pleaser11
- Mixed2
Reviewers score the dialogue 50/100 and the plot and story 48/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ted Sherdeman work with?
People who share at least 2 of Ted Sherdeman's MovieCove titles, grouped by what they did on them; James B. Clark shares the most, 3.
Directors
- James B. ClarkShared titles: My Side of the Mountain (1969), Island of the Blue Dolphins (1964), Misty (1961)See all 3 shared titles with James B. Clark
Writers
- Jane KloveShared titles: My Side of the Mountain (1969), Island of the Blue Dolphins (1964)See all 2 shared titles with Jane Klove
Actors
- James MillicanShared titles: Riding Shotgun (1954), The Winning Team (1952)See all 2 shared titles with James Millican
- Joan WeldonShared titles: Riding Shotgun (1954), Them! (1954)See all 2 shared titles with Joan Weldon
Composers, cinematographers and editors
- Leo ToverShared titles: Island of the Blue Dolphins (1964), Misty (1961)See all 2 shared titles with Leo Tover
- Paul SawtellShared titles: Island of the Blue Dolphins (1964), Misty (1961)See all 2 shared titles with Paul Sawtell
- Ted J. KentShared titles: Island of the Blue Dolphins (1964), Away All Boats (1956)See all 2 shared titles with Ted J. Kent
- David ButtolphShared titles: Riding Shotgun (1954), The Winning Team (1952)See all 2 shared titles with David Buttolph
Producers
- Robert B. RadnitzShared titles: My Side of the Mountain (1969), Island of the Blue Dolphins (1964), Misty (1961)See all 3 shared titles with Robert B. Radnitz