Anna Easteden
Actor · Born November 29, 1976 (49) · Tohmajärvi, Finland
Anna Easteden is a Finnish -born farmer's daughter, an international model and a Los Angeles, CA -based award nominated actress. Easteden started her career as a teenager after receiving a large modeling contract with a Japanese modeling agency. She holds a B.A. in Theater and Performance Studies from University of California, Berkeley and a B.A. in Political Science from Univeristy of California, Berkeley. In Tokyo she modeled for large companies: Kanebo, Sony, Nissen, Wacoal, Oricom, NEC and Lux, among many others. In addition to working in Japan, Easteden, who loves traveling, worked in other countries, such as Hong Kong, Korea, Taiwan, Singapore, Malaysia, Indonesia and New Zealand. Anna's modeling career continued in the US as well. Her clients include: Salvatore Ferragamo, Calvin Klein, XOXO, Hermes, Diesel, Pony, T-Mobile, Toyo Tires, Michael Antonio, and Jockey. Easteden's first theater performance as an actress was in a musical "The Sleeping Beauty" at the Tivoli Theater in Chicago in the name role "Beauty". Her most meaningful theater performance was at University of California, Berkeley, where Easteden received her Bachelor of Arts in Theater and Performance Studies as well as Bachelor of Arts in Political Science - playing "Nella" in "A Murder of Crows" written by Mac Wellman. Easteden has acted in notable TV-shows, such as: "Two and a Half Men", "Bones," "Days Of Our Lives" and "Who Wants to be a Superhero?." Her award nomination came from the Method Fest Film Festival from her portrayal of Nina in the film by Mika Kaurismäki, "The House of Branching Love", which premiered at the Toronto International Film Festival. In Finland, Easteden is the host of "Wipeout" on FOX. Her most recent films: "Junkie" in which she plays the title role of the Junkie and "Ribbons" are opening in theaters in late 2016. Easteden's interests also include those in the humanitarian arena. Easteden conducted a comparative legal research study on the different aspects of asylum procedures in selected European countries for United Nations High Commissioner for Refugees (UNHCR) in Bratislava, Slovakia. Her research impacted the Slovak National Asylum Legislation, which was in the process of amendment.
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Biography from IMDb.
- November 29, 1976 (49)
- Tohmajärvi, Finland
- Actor
- 8 on MovieCove · 12 credits in all
What are Anna Easteden's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 2
A split, not a type: Grounded 3 · Stylized 1 · Heightened 0
A split, not a type: Gentle 1 · Charged 0 · Intense 3
A split, not a type: Steady 1 · Shifting 1 · Whiplash 2
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 2 · Relentless 1
Casual 1 · Engaged 3 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Roles they play
- Heroas June Taylor in Junkie (2018)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anna Easteden's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Anna Easteden's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 8 with a MovieCove page.
Midcredits score: 16th percentile of all films
Los Angelesin kuningas (not in the MovieCove catalog yet)(2023)
Outo kesä (not in the MovieCove catalog yet)(2022)
Helsinki Crimes(2022)
Midcredits score: 13th percentile of all shows
Like Mother, Like Daughter (not in the MovieCove catalog yet)(2021)
Junkie(2018)
Midcredits score: 33rd percentile of all films
Ribbons(2016)
Midcredits score: 31st percentile of all films (provisional, few ratings)
A Standard Story (not in the MovieCove catalog yet)(2011)
Sideways(2009)
Midcredits score: 41st percentile of all films
Midcredits score: 54th percentile of all films
Bones(2005)
Midcredits score: 88th percentile of all shows
Two and a Half Men(2003)
Midcredits score: 57th percentile of all shows
Career shape
Star power in the 45th percentile of 239,109 people with a billed film role, over a full career of 12 titles from 2003 to 2024; peak year 2009.
Biggest box office
Haarautuvan rakkauden talo (2009)
Highest rated
Haarautuvan rakkauden talo (2009)
Most popular right now
Junkie (2018)
Film career
Peak 2009 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2009Screen debut· The House of Branching Love
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Anna Easteden's films land?
Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 35th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th3
- Below 25th2
Shape of the crowd
3 of their 8 titles are Divisive.
- Divisive3
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.