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Stephen Sinclair

Writer

Works as
Writer
Titles
4 on MovieCove · 8 credits in all
TMDB popularity, last 157 days to Oct 28Down 37% in 30 days

What are Stephen Sinclair's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
26%
Morality
26%
Self
23%
Power
18%
Ideas
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 2 · Wry 0 · Earnest 1

A split, not a type: Light 1 · Serious 0 · Dark 2

Grounded 0 · Stylized 0 · Heightened 3

Gentle 0 · Charged 0 · Intense 3

Steady 0 · Shifting 1 · Whiplash 2

Straight-faced 1 · Some laughs 0 · Funny 2

Slow burn 0 · Even-paced 0 · Relentless 3

Casual 0 · Engaged 2 · Full focus 1

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
2
Manic
2
Tense
2
Joyful
1
Triumphant
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stephen Sinclair's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Stephen Sinclair's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 4 with a MovieCove page.

  • Men Ready for Anything (not in the MovieCove catalog yet)(2018)

    Original Story

  • Russian Snark (not in the MovieCove catalog yet)(2010)

    Director · Writer

  • Electroma (not in the MovieCove catalog yet)(2006)

    Production Design

  • Midcredits score: 99th percentile of all films
  • Love Mussel (not in the MovieCove catalog yet)(2001)

    Writer

  • Murder in Mind(1997)

    Art Direction

    Midcredits score: 17th percentile of all films
  • Braindead(1992)

    Screenplay · Story

    Midcredits score: 91st percentile of all films
  • Meet the Feebles(1989)

    Screenplay

    Midcredits score: 67th percentile of all films

Career shape

A full career of 8 titles from 1989 to 2018.

By role

only this rolewith another role
Directing1 of 8: 0 only directing, 1 with another roleWriting6 of 8: 5 only writing, 1 with another roleOther crew2 of 8: 2 only other crew, 0 with another role

By decade

1980s1 · crew1990s2 · crew2000s3 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Stephen Sinclair's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 90th percentile for acclaim.

Acclaim · how much people like their films

90thpercentile
Typical film, the median of 3

Approval · how many liked their films

89thpercentile
Typical film, the median of 3

Reach · how many have seen their films

90thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • Below 25th1

Shape of the crowd

None of their 4 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser1
  • Mixed1

Reviewers score the plot and story 48/100 in their films, across 3 reviewed titles; fans 57, detractors 22. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Stephen Sinclair's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 82 · severeMedian of all films: 44
Sex & Nudity3 titlesmedian 49 · moderateMedian of all films: 32
Profanity3 titlesmedian 38 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 34 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 80 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Stephen Sinclair work with?

People who share at least 2 of Stephen Sinclair's MovieCove titles, grouped by what they did on them; Peter Jackson shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers