
Red Skelton
Actor · Died September 17, 1997, aged 84 · Vincennes, Indiana, USA
The son of a former circus clown turned grocer and a cleaning woman, Red Skelton was introduced to show business at the age of 7 by Ed Wynn, at a vaudeville show in Vincennes. At age 10, he left home to travel with a medicine show through the Midwest, and joined the vaudeville circuit at age 15. At age 17, he married Edna Marie Stilwell, an usher who became his vaudeville partner and later his chief writer and manager. He debuted on Broadway and radio in 1937 and on film in 1938. His ex-wife/manager negotiated a seven-year Hollywood contract for him in 1951, the same year The Red Skelton Hour (1951) premiered on NBC. For two decades, until 1971, his show consistently stayed in the top twenty, both on NBC and CBS. His numerous characters, including Clem Kaddiddlehopper, George Appleby, and the seagulls Gertrude and Heathcliffe delighted audiences for decades. First and foremost, he considered himself a clown, although not the greatest, and his paintings of clowns brought in a fortune after he left television. His home life was not completely happy--two divorces and a son Richard who died of leukemia at age 9--and he did not hang around with other comedians. He continued performing live until illness, and he was a longtime supporter of children's charities. Red Skelton died at age 84 of pneumonia in Rancho Mirage, California, on September 17, 1997. Red is interred at Forest Lawn Cemetery, Glendale, California, in the Great Mausoleum, Sanctuary of Benediction.
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Biography from TMDB.
- July 18, 1913
- September 17, 1997 (aged 84)
- Vincennes, Indiana, USA
- Actor
- 34 on MovieCove · 57 credits in all
Known for
What are Red Skelton's films like?
Across their 23 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 22
Light 20 · Serious 2 · Dark 1
Grounded 11 · Stylized 11 · Heightened 1
Gentle 15 · Charged 8 · Intense 0
Steady 15 · Shifting 5 · Whiplash 3
Straight-faced 0 · Some laughs 9 · Funny 14
Slow burn 10 · Even-paced 11 · Relentless 2
Casual 22 · Engaged 1 · Full focus 0
Easy watch 20 · Affecting 2 · Heavy 1
Resolved 23 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Hero: 13 of 23 analyzed roles.
Show the 23 rolesHide the roles
- Tricksteras Lieut. 'Mugger' Martin in Flight Command (1940)
- Tricksteras Vernon Briggs in Dr. Kildare's Wedding Day (1941)
- Tricksteras Joe 'Red' Willet in Lady Be Good (1941)
- Heroas Wally Benton in Whistling in the Dark (1941)
- Shapeshifteras Hap Hixby in Maisie Gets Her Man (1942)
- Heraldas Merton K. Kibble in Ship Ahoy (1942)
- Heroas Louis Blore in Du Barry Was a Lady (1943)
- Heroas Wally 'The Fox' Benton in Whistling in Brooklyn (1943)
- Heroas Steve Elliot in Bathing Beauty (1944)
- Heroas Aubrey Filmore in A Southern Yankee (1948)
- Tricksteras Jack Spratt in Neptune's Daughter (1949)
- Allyas Harry Ruby in Three Little Words (1950)
- Heroas Rusty Cammeron in Watch the Birdie (1950)
- Heroas Augustus 'Red' Pirdy in The Yellow Cab Man (1950)
- Tricksteras Cornie Quinell in Texas Carnival (1951)
- Heroas Cornie Quinell in Texas Carnival (1951)
- Heroas Al Marsh in Lovely to Look At (1952)
- Tricksteras Ben Dobson in Half a Hero (1953)
- Heroas Dodo Delwyn in The Clown (1953)
- Heroas Ben Dobson in Half a Hero (1953)
- Heroas Ambrose C. Park in The Great Diamond Robbery (1954)
- Heroas Rusty Morgan in Public Pigeon No. 1 (1957)
- Mentoras Father Time in Rudolph's Shiny New Year (1976)
Moods and endings
- Happy21
- Bittersweet1
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Red Skelton's films?
As of October 24, 2026, 7 of their 34 MovieCove titles stream on a subscription or free service, most on HBO Max (4).
Subscription and free streaming for Red Skelton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
57 credits, 34 with a MovieCove page; 24 appearances as themselves are hidden until asked for.

Pioneers of Primetime (not in the MovieCove catalog yet)(2005)

Red Skelton: America's Greatest Clown (not in the MovieCove catalog yet)(2005)
Television: The First Fifty Years (not in the MovieCove catalog yet)(1999)

That's Dancing!(1985)
Midcredits score: 82nd percentile of all filmsFreddie the Freeloader's Christmas Dinner (not in the MovieCove catalog yet)(1981)

The Hollywood Clowns (not in the MovieCove catalog yet)(1979)

Rudolph's Shiny New Year(1976)
Midcredits score: 60th percentile of all films
Midcredits score: 86th percentile of all films
America on Parade (not in the MovieCove catalog yet)(1976)

That's Entertainment!(1974)
Midcredits score: 92nd percentile of all films
Clown Alley (not in the MovieCove catalog yet)(1966)
Midcredits score: 80th percentile of all films
The Big Parade of Comedy(1964)
Midcredits score: 32nd percentile of all films
The Lucy–Desi Comedy Hour (not in the MovieCove catalog yet)(1957)

Public Pigeon No. 1(1957)
Midcredits score: 35th percentile of all films (provisional, few ratings)
Midcredits score: 69th percentile of all films
Red Skelton Christmas Classics (not in the MovieCove catalog yet)(1955)

Climax! (not in the MovieCove catalog yet)(1954)

Susan Slept Here(1954)
Midcredits score: 56th percentile of all films
Midcredits score: 40th percentile of all films
Half a Hero(1953)
Midcredits score: 29th percentile of all films
The Clown(1953)
Midcredits score: 59th percentile of all films
Lovely to Look At(1952)
Midcredits score: 48th percentile of all films
Texas Carnival(1951)
Midcredits score: 33rd percentile of all films
The Red Skelton Hour(1951)
Midcredits score: 86th percentile of all shows
Excuse My Dust (not in the MovieCove catalog yet)(1951)

Watch the Birdie(1950)
Midcredits score: 40th percentile of all films
The Jack Benny Program (not in the MovieCove catalog yet)(1950)

The Fuller Brush Girl(1950)
Midcredits score: 64th percentile of all films
Three Little Words(1950)
Midcredits score: 75th percentile of all films
The Bob Hope Show (not in the MovieCove catalog yet)(1950)

The Yellow Cab Man(1950)
Midcredits score: 56th percentile of all films
Neptune's Daughter(1949)
Midcredits score: 52nd percentile of all films
A Southern Yankee(1948)
Midcredits score: 66th percentile of all films
The Milton Berle Show(1948)
Midcredits score: 62nd percentile of all shows
The Fuller Brush Man (not in the MovieCove catalog yet)(1948)

Merton of the Movies (not in the MovieCove catalog yet)(1947)

The Show-Off (not in the MovieCove catalog yet)(1946)

Ziegfeld Follies(1945)
Midcredits score: 57th percentile of all films
Bathing Beauty(1944)
Midcredits score: 59th percentile of all films
Twenty Years After (not in the MovieCove catalog yet)(1944)

Whistling in Brooklyn(1943)
Midcredits score: 69th percentile of all films
Thousands Cheer(1943)
Midcredits score: 49th percentile of all films
I Dood It (not in the MovieCove catalog yet)(1943)

Du Barry Was a Lady(1943)
Midcredits score: 48th percentile of all films
Whistling in Dixie (not in the MovieCove catalog yet)(1942)

Panama Hattie(1942)
Midcredits score: 40th percentile of all films
Maisie Gets Her Man(1942)
Midcredits score: 53rd percentile of all films
Ship Ahoy(1942)
Midcredits score: 57th percentile of all films
Lady Be Good(1941)
Midcredits score: 55th percentile of all films
Midcredits score: 53rd percentile of all films
Whistling in the Dark(1941)
Midcredits score: 69th percentile of all films
The People Vs. Dr. Kildare (not in the MovieCove catalog yet)(1941)

Flight Command(1940)
Midcredits score: 57th percentile of all films
Seeing Red (not in the MovieCove catalog yet)(1939)
The Broadway Buckaroo (not in the MovieCove catalog yet)(1939)

Having Wonderful Time (not in the MovieCove catalog yet)(1938)
Career shape
Star power in the 89th percentile of 239,109 people with a billed film role, over a full career of 57 titles from 1938 to 2005; peak year 1976.
Film career
Peak 1976 · their film career is on the way up. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1944Screen debut· Bathing Beauty
- 1944First top-billed film· Bathing Beauty
- 1976Career best· Rudolph's Shiny New Year
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Red Skelton's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 32; across their 23 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up6
- 50th to 74th18
- 25th to 49th10
Shape of the crowd
22 of their 34 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser22
- Broadly Agreed5
- Mixed6
Reviewers score the acting 65/100 in their films, across 22 reviewed titles; fans 71, detractors 45. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Red Skelton work with?
People who share at least 2 of Red Skelton's MovieCove titles, grouped by what they did on them; George Stoll shares the most, 5.
Directors
- Norman Z. McLeodShared titles: Public Pigeon No. 1 (1957), Panama Hattie (1942), Lady Be Good (1941)See all 3 shared titles with Norman Z. McLeod

- S. Sylvan SimonShared titles: A Southern Yankee (1948), Whistling in Brooklyn (1943), Whistling in the Dark (1941)See all 3 shared titles with S. Sylvan Simon

- Roy Del RuthShared titles: Du Barry Was a Lady (1943), Maisie Gets Her Man (1942), Panama Hattie (1942)See all 3 shared titles with Roy Del Ruth

- Robert Z. LeonardShared titles: The Great Diamond Robbery (1954), The Clown (1953)See all 2 shared titles with Robert Z. Leonard

Writers
- Devery FreemanShared titles: Public Pigeon No. 1 (1957), The Yellow Cab Man (1950), Watch the Birdie (1950)See all 3 shared titles with Devery Freeman
- George WellsShared titles: Lovely to Look At (1952), Texas Carnival (1951), Three Little Words (1950)See all 3 shared titles with George Wells

- Dorothy KingsleyShared titles: Texas Carnival (1951), Neptune's Daughter (1949), Bathing Beauty (1944)See all 3 shared titles with Dorothy Kingsley
- Harry TugendShared titles: Public Pigeon No. 1 (1957), A Southern Yankee (1948)See all 2 shared titles with Harry Tugend
Actors
- Rags RaglandShared titles: Du Barry Was a Lady (1943), Whistling in Brooklyn (1943), Panama Hattie (1942), Whistling in the Dark (1941)See all 4 shared titles with Rags Ragland

- Virginia O'BrienShared titles: Du Barry Was a Lady (1943), Panama Hattie (1942), Ship Ahoy (1942), Lady Be Good (1941)See all 4 shared titles with Virginia O'Brien

- Ann MillerShared titles: Lovely to Look At (1952), Texas Carnival (1951), Watch the Birdie (1950)See all 3 shared titles with Ann Miller

- Esther WilliamsShared titles: Texas Carnival (1951), Neptune's Daughter (1949), Bathing Beauty (1944)See all 3 shared titles with Esther Williams

Composers and cinematographers
- George StollShared titles: Watch the Birdie (1950), Neptune's Daughter (1949), Panama Hattie (1942), Ship Ahoy (1942), Lady Be Good (1941)See all 5 shared titles with George Stoll
- George J. FolseyShared titles: Lovely to Look At (1952), Panama Hattie (1942), Dr. Kildare's Wedding Day (1941), Lady Be Good (1941)See all 4 shared titles with George J. Folsey

- Paul VogelShared titles: Public Pigeon No. 1 (1957), Half a Hero (1953), Watch the Birdie (1950)See all 3 shared titles with Paul Vogel
- David RoseShared titles: Public Pigeon No. 1 (1957), Texas Carnival (1951)See all 2 shared titles with David Rose

Producers
- Jack CummingsShared titles: Lovely to Look At (1952), Texas Carnival (1951), Three Little Words (1950), Neptune's Daughter (1949), Ship Ahoy (1942)See all 5 shared titles with Jack Cummings

- George HaightShared titles: Whistling in Brooklyn (1943), Whistling in the Dark (1941)See all 2 shared titles with George Haight
- Arthur FreedShared titles: Panama Hattie (1942), Lady Be Good (1941)See all 2 shared titles with Arthur Freed

- J. Walter RubenShared titles: Maisie Gets Her Man (1942), Flight Command (1940)See all 2 shared titles with J. Walter Ruben

