
Henry Slate
Actor · Died August 11, 1996, aged 86 · Brooklyn, New York City, New York, USA
Henry Slate was born on 15 June 1910 in Brooklyn, New York, USA. He was an actor, known for Miss Sadie Thompson (1953), Pete's Dragon (1977) and Rock Around the Clock (1956). He died on 11 August 1996 in Los Angeles, California, USA.
Biography from IMDb.
- June 15, 1910
- August 11, 1996 (aged 86)
- Brooklyn, New York City, New York, USA
- Actor
- 36 on Motif · 46 credits in all
What are Henry Slate's films like?
Across their 9 Motif titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 6 · Serious 0 · Dark 3
A split, not a type: Grounded 5 · Stylized 3 · Heightened 1
A split, not a type: Gentle 5 · Charged 2 · Intense 2
Steady 7 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 5 · Funny 2
Slow burn 4 · Even-paced 4 · Relentless 1
Casual 7 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 2 · Heavy 1
Resolved 9 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Henry Slate's films?
As of October 24, 2026, 15 of their 36 Motif titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Henry Slate's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
46 credits, 36 with a Motif page.

Murphy's Romance(1985)
Midcredits score: 77th percentile of all films
The Last Ninja (not in the Motif catalog yet)(1983)

Beyond Reason (not in the Motif catalog yet)(1982)

Back Roads(1981)
Midcredits score: 26th percentile of all films
Herbie Goes Bananas(1980)
Midcredits score: 16th percentile of all films
Midcredits score: 51st percentile of all films
Norma Rae(1979)
Midcredits score: 90th percentile of all films
The Cat from Outer Space(1978)
Midcredits score: 46th percentile of all films
Quincy, M.E. (not in the Motif catalog yet)(1976)

The Shootist(1976)
Midcredits score: 94th percentile of all films
No Deposit, No Return(1976)
Midcredits score: 60th percentile of all films
Starsky and Hutch(1975)
Midcredits score: 53rd percentile of all shows
Barney Miller(1975)
Midcredits score: 93rd percentile of all shows
Midcredits score: 95th percentile of all shows
The Rockford Files(1974)
Midcredits score: 93rd percentile of all shows
Mission: Impossible(1966)
Midcredits score: 87th percentile of all shows
Midcredits score: 89th percentile of all films
Looking for Love(1964)
Midcredits score: 31st percentile of all films
The Patsy(1964)
Midcredits score: 53rd percentile of all films
Bedtime Story(1964)
Midcredits score: 69th percentile of all films
The Roaring 20's (not in the Motif catalog yet)(1960)

The Andy Griffith Show(1960)
Midcredits score: 93rd percentile of all shows
Adventures in Paradise (not in the Motif catalog yet)(1959)

Hey Boy! Hey Girl! (not in the Motif catalog yet)(1959)

Bus Stop(1956)
Midcredits score: 50th percentile of all films
He Laughed Last (not in the Motif catalog yet)(1956)

Rock Around the Clock(1956)
Midcredits score: 47th percentile of all films
Meet Me in Las Vegas(1956)
Midcredits score: 45th percentile of all films
My Sister Eileen(1955)
Midcredits score: 72nd percentile of all films
Navy Log (not in the Motif catalog yet)(1955)

Hit the Deck(1955)
Midcredits score: 58th percentile of all films
Three for the Show(1955)
Midcredits score: 42nd percentile of all films
Lassie(1954)
Midcredits score: 28th percentile of all shows
Miss Sadie Thompson(1953)
Midcredits score: 39th percentile of all films
Three Sailors and a Girl(1953)
Midcredits score: 45th percentile of all films
Pickup on South Street(1953)
Midcredits score: 95th percentile of all films
The Jazz Singer(1952)
Midcredits score: 23rd percentile of all films
Stop, You're Killing Me(1952)
Midcredits score: 54th percentile of all films
Bloodhounds of Broadway(1952)
Midcredits score: 39th percentile of all films
Somebody Loves Me (not in the Motif catalog yet)(1952)

O. Henry's Full House(1952)
Midcredits score: 83rd percentile of all films
Loan Shark(1952)
Midcredits score: 54th percentile of all films
Rhubarb(1951)
Midcredits score: 72nd percentile of all films
You're in the Navy Now(1951)
Midcredits score: 53rd percentile of all films
The Frogmen(1951)
Midcredits score: 61st percentile of all films
Winged Victory (not in the Motif catalog yet)(1944)
Career shape
Star power in the 89th percentile of 239,109 people with a billed film role, over a full career of 46 titles from 1944 to 1985; peak year 1979.

Biggest box office
Rock Around the Clock (1956)

Highest rated
Rhubarb (1951)

Most popular right now
Bedtime Story (1964)
Film career
Peak 1979 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1951Screen debut· The Frogmen
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Henry Slate's films land?
Their typical Motif film has a Midcredits score in the 53rd percentile, the median of all 29; across their 9 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up11
- 50th to 74th13
- 25th to 49th10
- Below 25th2
Shape of the crowd
None of their 36 titles divides audiences: 17 are Crowd Pleasers.
- Universally Loved6
- Crowd Pleaser17
- Broadly Agreed3
- Mixed10
Reviewers score the acting 61/100 in their films, across 9 reviewed titles; fans 71, detractors 38. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Henry Slate work with?
People who share at least 2 of Henry Slate's Motif titles; W. Somerset Maugham shares the most, 2.
- W. Somerset MaughamShared titles: Three for the Show (1955), Miss Sadie Thompson (1953)See all 2 shared titles with W. Somerset Maugham

- Viola LawrenceShared titles: Three for the Show (1955), Miss Sadie Thompson (1953)See all 2 shared titles with Viola Lawrence
