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MovieCove

John R. Sloan

Producer

Works as
Producer
Titles
10 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are John R. Sloan's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Society.

Genres

Action3 titlesTypical Midcredits score: 51st percentile
: browse their Action movies
Crime3 titlesTypical Midcredits score: 42nd percentile
: browse their Crime movies
Drama2 titlesTypical Midcredits score: 87th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
51%
Society
14%
Self
10%
Survival
9%
Bonds
7%
Ideas
6%
Power
3%
Duty3 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeSacrifice2 titles, browse their movies with this themeTruth2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this theme

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 6 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 2 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 6 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 3 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 5 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 4 · Full focus 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
4
Thrilling
3
Contemplative
3
Warm
2
Other
6

How their films linger

Thought-provoking5 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy4
  • Bittersweet4
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John R. Sloan's films?

As of October 24, 2026, 4 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for John R. Sloan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Force 10 from Navarone(1978)

    Producer

    Midcredits score: 56th percentile of all films

  • The Odessa File(1974)

    Producer

    Midcredits score: 80th percentile of all films

  • No Sex Please - We're British(1973)

    Producer

    Midcredits score: 32nd percentile of all films

  • Fragment of Fear(1970)

    Producer

    Midcredits score: 42nd percentile of all films

  • To Sir, with Love(1967)

    Producer

    Midcredits score: 93rd percentile of all films

  • Lost Command(1966)

    Producer

    Midcredits score: 51st percentile of all films

  • The Running Man(1963)

    Producer

    Midcredits score: 62nd percentile of all films

  • Seven Days from Now(1957)

    Producer

    Midcredits score: 90th percentile of all films

  • Sea Devils(1953)

    Producer

    Midcredits score: 24th percentile of all films

  • Paper Orchid(1949)

    Producer

    Midcredits score: 25th percentile of all films (provisional, few ratings)

Career shape

Across their 10 MovieCove titles from 1949 to 1978.

Biggest box office

Force 10 from Navarone (1978)

$7.2M worldwide

Highest rated

To Sir, with Love (1967)

Midcredits 93rd

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score54th

By decade

1940s1 · crew1950s2 · crew1960s3 · crew1970s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do John R. Sloan's films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 10

Approval · how many liked their films

50thpercentile
Typical film, the median of 10

Reach · how many have seen their films

65thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

None of their 10 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed2

Most loved · producer

To Sir, with Love (1967)

Midcredits 93rd · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John R. Sloan's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 30 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does John R. Sloan work with?

People who share at least 2 of John R. Sloan's MovieCove titles, grouped by what they did on them; Arthur Lowe shares the most, 2.

Actors

Cinematographers and editors

Producers