Julie Sloane

What are Julie Sloane's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Ideas and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Julie Sloane's films?

As of October 24, 2026, none of Julie Sloane's 9 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Julie Sloane's titles on MovieCove; rent and buy are not counted.

Filmography

9 credits, 9 with a MovieCove page.

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  Frank Gehry: An Architecture of Joy(2000)

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  Midcredits score: 42nd percentile of all films (provisional, few ratings)~42^nd
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  Speaking of Abstraction: A Universal Language(1999)

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  Midcredits score: 58th percentile of all films (provisional, few ratings)~58^th
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  Louis Kahn: Silence and Light(1996)

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  Midcredits score: 84th percentile of all films (provisional, few ratings)~84^th
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  Reclaiming the Body: Feminist Art in America(1995)

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  Musical Outsiders: An American Legacy(1994)

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  Midcredits score: 72nd percentile of all films (provisional, few ratings)~72^nd
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  The Sensual Nature of Sound: 4 Composers Laurie Anderson, Tania Leon, Meredith Monk, Pauline Oliveros(1993)

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  Midcredits score: 71st percentile of all films (provisional, few ratings)~71^st
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  After Modernism: The Dilemma of Influence(1992)

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  Mies(1986)

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  Midcredits score: 65th percentile of all films (provisional, few ratings)~65^th
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  Acting Out(1978)

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  Midcredits score: 7th percentile of all films7^th

Career shape

Across their 9 MovieCove titles from 1978 to 2000.

Most popular right now

Mies (1986)

How do Julie Sloane's films land?

Their typical MovieCove film has a Midcredits score in the 65^th percentile, the median of the 7 of 9 with a score; across their 8 films with reception data, the typical film sits in the 46^th percentile for acclaim.

Shape of the crowd

3 of their 7 titles are Divisive.

313

• Divisive3
• Cult Classic1
• Mixed3

Most divisive · editor

Louis Kahn: Silence and Light (1996)

96^th percentile spread · 27% rated it 4 or lower

Most loved · editor

Acting Out (1978)

Midcredits 7^th · 21% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Julie Sloane work with?

People who share at least 2 of Julie Sloane's MovieCove titles, grouped by what they did on them; Michael Blackwood shares the most, 8.