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Edward Small

Edward Small

Producer · Died January 25, 1977, aged 85 · Brooklyn, New York, USA

Born
February 1, 1891
Died
January 25, 1977 (aged 85)
From
Brooklyn, New York, USA
Works as
Producer
Titles
49 on MovieCove · 75 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 36% in 30 days

What are Edward Small's films like?

Across their 47 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama13 titlesTypical Midcredits score: 41st percentile
: browse their Drama movies
Crime10 titlesTypical Midcredits score: 59th percentile, at or above their average across these genres
: browse their Crime movies
Adventure9 titlesTypical Midcredits score: 57th percentile, at or above their average across these genres
: browse their Adventure movies
Comedy7 titlesTypical Midcredits score: 29th percentile
: browse their Comedy movies
Action4 titlesTypical Midcredits score: 65th percentile, at or above their average across these genres
: browse their Action movies
Biography2 titlesTypical Midcredits score: 38th percentile
: browse their Biography movies
Horror2 titlesTypical Midcredits score: 47th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
45%
Bonds
23%
Self
11%
Power
8%
Survival
8%
Society
3%
Ideas
1%
Justice20 titles, browse their movies with this themeFamily bonds8 titles, browse their movies with this themeRomantic love9 titles, browse their movies with this themeBetrayal10 titles, browse their movies with this themeDeception7 titles, browse their movies with this themeSurvival6 titles, browse their movies with this themeAmbition7 titles, browse their movies with this themeRedemption5 titles, browse their movies with this theme

What they feel like to watch

their average across 47 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 20 · Serious 16 · Dark 11

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 20 · Stylized 23 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 7 · Charged 31 · Intense 9

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 20 · Shifting 25 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 33 · Some laughs 9 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 38 · Relentless 4

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 26 · Engaged 19 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 40 · Open-ended 7 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
33
Thrilling
23
Romantic
18
Melancholic
9
Warm
6
Other
27

How their films linger

Fun17 titles, browse their movies with this aftertasteFeel-good15 titles, browse their movies with this aftertasteRousing16 titles, browse their movies with this aftertasteBittersweet14 titles, browse their movies with this aftertasteCathartic10 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy27
  • Bittersweet12
  • Tragic6
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edward Small's films?

As of October 24, 2026, 38 of their 49 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Edward Small's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

75 credits, 49 with a MovieCove page.

  • The Christine Jorgensen Story(1970)

    Producer

    Midcredits score: 22nd percentile of all films

  • The Wicked Dreams of Paula Schultz(1968)

    Producer

    Midcredits score: 8th percentile of all films

  • Boy, Did I Get a Wrong Number!(1966)

    Producer

    Midcredits score: 32nd percentile of all films

  • Frankie and Johnny(1966)

    Presenter · Producer

    Midcredits score: 29th percentile of all films

  • I'll Take Sweden(1965)

    Producer

    Midcredits score: 21st percentile of all films

  • Diary of a Madman(1963)

    Producer

    Midcredits score: 49th percentile of all films

  • Jack the Giant Killer(1962)

    Producer

    Midcredits score: 57th percentile of all films

  • Tower of London(1962)

    Producer

    Midcredits score: 47th percentile of all films

  • The Greengage Summer (not in the MovieCove catalog yet)(1961)

    Producer

  • Oklahoma Territory(1960)

    Producer

    Midcredits score: 31st percentile of all films

  • The Music Box Kid(1960)

    Producer

    Midcredits score: 24th percentile of all films

  • Vice Raid(1959)

    Producer

    Midcredits score: 27th percentile of all films

  • Timbuktu(1958)

    Producer

    Midcredits score: 25th percentile of all films

  • Curse of the Faceless Man(1958)

    Executive Producer

    Midcredits score: 19th percentile of all films

  • It! The Terror from Beyond Space(1958)

    Producer

    Midcredits score: 44th percentile of all films

  • Witness for the Prosecution(1957)

    Executive Producer · Presenter

    Midcredits score: 99th percentile of all films

  • Monkey on My Back (not in the MovieCove catalog yet)(1957)

    Producer

  • The Naked Street(1955)

    Producer

    Midcredits score: 57th percentile of all films

  • New York Confidential (not in the MovieCove catalog yet)(1955)

    Producer

  • Top Gun(1955)

    Producer

    Midcredits score: 56th percentile of all films

  • Overland Pacific(1954)

    Producer

    Midcredits score: 18th percentile of all films

  • Khyber Patrol(1954)

    Producer

    Midcredits score: 23rd percentile of all films

  • Down Three Dark Streets(1954)

    Producer

    Midcredits score: 63rd percentile of all films

  • The Lone Gun(1954)

    Producer

    Midcredits score: 29th percentile of all films

  • Southwest Passage(1954)

    Producer

    Midcredits score: 23rd percentile of all films

  • 99 River Street(1953)

    Producer

    Midcredits score: 90th percentile of all films

  • Gun Belt(1953)

    Producer

    Midcredits score: 26th percentile of all films

  • Kansas City Confidential(1952)

    Producer

    Midcredits score: 90th percentile of all films

  • Cripple Creek(1952)

    Producer

    Midcredits score: 35th percentile of all films

  • The Brigand (not in the MovieCove catalog yet)(1952)

    Producer

  • Scandal Sheet (not in the MovieCove catalog yet)(1952)

    Producer

  • The Texas Rangers(1951)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • Lorna Doone (not in the MovieCove catalog yet)(1951)

    Producer

  • Valentino(1951)

    Producer

    Midcredits score: 23rd percentile of all films

  • The Iroquois Trail(1950)

    Executive Producer

    Midcredits score: 41st percentile of all films

  • Davy Crockett, Indian Scout(1950)

    Producer

    Midcredits score: 17th percentile of all films

  • Black Magic(1949)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • Walk a Crooked Mile(1948)

    Producer

    Midcredits score: 50th percentile of all films

  • The Fuller Brush Man (not in the MovieCove catalog yet)(1948)

    Executive Producer

  • Raw Deal(1948)

    Producer

    Midcredits score: 87th percentile of all films

  • The Black Arrow(1948)

    Producer

    Midcredits score: 41st percentile of all films

  • T-Men(1947)

    Presenter

    Midcredits score: 76th percentile of all films

  • The Return of Monte Cristo(1946)

    Executive Producer

    Midcredits score: 64th percentile of all films

  • Temptation (not in the MovieCove catalog yet)(1946)

    Producer

  • Getting Gertie's Garter(1945)

    Producer

    Midcredits score: 52nd percentile of all films

  • Brewster's Millions (not in the MovieCove catalog yet)(1945)

    Producer

  • Up in Mabel's Room (not in the MovieCove catalog yet)(1944)

    Producer

  • Abroad with Two Yanks (not in the MovieCove catalog yet)(1944)

    Producer

  • Friendly Enemies (not in the MovieCove catalog yet)(1942)

    Producer

  • Miss Annie Rooney (not in the MovieCove catalog yet)(1942)

    Producer

  • Twin Beds (not in the MovieCove catalog yet)(1942)

    Producer

  • The Corsican Brothers(1941)

    Producer

    Midcredits score: 62nd percentile of all films

  • International Lady(1941)

    Producer

    Midcredits score: 66th percentile of all films

  • The Son of Monte Cristo(1940)

    Executive Producer

    Midcredits score: 48th percentile of all films

  • Kit Carson(1940)

    Producer

    Midcredits score: 56th percentile of all films

  • South of Pago Pago (not in the MovieCove catalog yet)(1940)

    Producer

  • The Man in the Iron Mask(1939)

    Presenter · Producer

    Midcredits score: 83rd percentile of all films

  • The Duke of West Point (not in the MovieCove catalog yet)(1938)

    Presenter · Producer

  • The Toast of New York(1937)

    Producer

    Midcredits score: 54th percentile of all films

  • New Faces of 1937 (not in the MovieCove catalog yet)(1937)

    Producer

  • Sea Devils (not in the MovieCove catalog yet)(1937)

    Producer

  • We Who Are About to Die(1936)

    Producer

    Midcredits score: 61st percentile of all films

  • The Bride Walks Out(1936)

    Producer

    Midcredits score: 29th percentile of all films

  • The Last of the Mohicans(1936)

    Producer

    Midcredits score: 64th percentile of all films

  • Red Salute (not in the MovieCove catalog yet)(1935)

    Producer

  • The Melody Lingers on (not in the MovieCove catalog yet)(1935)

    Producer

  • Transatlantic Merry-Go-Round (not in the MovieCove catalog yet)(1934)

    Producer

  • The Count of Monte Cristo(1934)

    Producer

    Midcredits score: 89th percentile of all films

  • Palooka(1934)

    Producer

    Midcredits score: 25th percentile of all films

  • I Cover the Waterfront(1933)

    Producer

    Midcredits score: 37th percentile of all films

  • Igloo (not in the MovieCove catalog yet)(1932)

    Producer

  • Clancy in Wall Street (not in the MovieCove catalog yet)(1930)

    Producer

  • Song of Love (not in the MovieCove catalog yet)(1929)

    Producer

  • My Man (not in the MovieCove catalog yet)(1928)

    Producer

  • The Gorilla (not in the MovieCove catalog yet)(1927)

    Production Manager

Career shape

A full career of 69 titles from 1927 to 1970.

Biggest box office

Witness for the Prosecution (1957)

$8.7K worldwide

Highest rated

Witness for the Prosecution (1957)

Midcredits 99th

By role

only this rolewith another role
Producing67 of 69: 63 only producing, 4 with another role · typical Midcredits score45thOther crew6 of 69: 2 only other crew, 4 with another role

69 titles, 4 with more than one role — producing and other crew overlap on 4 of them.

By decade

1920s3 · crew1930s16 · crew1940s20 · crew1950s22 · crew1960s7 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Edward Small's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 49; across their 47 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 47

Approval · how many liked their films

42ndpercentile
Typical film, the median of 47

Reach · how many have seen their films

38thpercentile
Typical film, the median of 47

Midcredits score across 49 titles, by percentile

  • 75th and up7
  • 50th to 74th14
  • 25th to 49th18
  • Below 25th10

Shape of the crowd

22 of their 49 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser22
  • Broadly Agreed15
  • Mixed11

Most divisive · producer

The Wicked Dreams of Paula Schultz (1968)

62nd percentile spread · 44% rated it 4 or lower

Most loved · producer

Witness for the Prosecution (1957)

Midcredits 99th · 92% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edward Small work with?

People who share at least 2 of Edward Small's MovieCove titles, grouped by what they did on them; Grant Whytock shares the most, 26.

Directors

Writers

Actors

Composers and editors

Producers