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Nathan L. Smith

Actor and producer

Nathan Smith co-founded Push Films, Inc., an independent production company. Push Films produces feature films, short films and television shows. Smith manages all aspects of development including sourcing ideas and scripts, working closely with writers to develop projects, liaise with industry executives and agents, attach talent, secure financing, while shepherding the entire creative and production process. In February 2009, he produced a television pilot presentation for the Fox Television Network entitled, Ashley The Wise. Push Films has successfully managed the below-the-line productions of Harold and Kumar Go To White Castle for New Line Cinema and The Grudge for Sony Pictures. Also, Push Films has produced the television series Shoot Me 2 Los Angeles for the Fashion Television Network. Smith and Push Films have secured financing, developed and produced short films that earned screenings at numerous film festivals including San Diego, Newport and Screamfest. In 1999 he was hired by Paramount Pictures Production Services Department, which packaged below-the-line production services for independent film productions. Among the films he has worked on through Production Services are Meatloaf From Hell and Back, The Amati Girls, Going Greek and Simone. In 2000 Smith was promoted to the Motion Picture Distribution Department for Paramount Pictures where he was involved in the distribution of Paramount Pictures 2001 theatrical releases. Save The Last Dance, Down To Earth, Enemy at the Gates, Tomb Raider and Vanilla Sky, to name a few. Smith began his career in the entertainment industry in the Summer of 1991 as a production assistant on a Paramount Pictures television sitcom directed by famed director James Burrows. Smith holds a Bachelor of Science degree in Communication Studies with a Concentration in Radio and Television and a minor in Cinema Studies from Northeastern University class of 1998.

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Biography from IMDb.

Works as
Actor and producer
Titles
3 on MovieCove

What are Nathan L. Smith's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
65%
Morality
25%
Ideas
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 3 · Stylized 0 · Heightened 0

Gentle 1 · Charged 1 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 0 · Some laughs 0 · Funny 3

Slow burn 0 · Even-paced 2 · Relentless 1

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
3
Manic
1
Thrilling
1
Triumphant
1
Warm
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nathan L. Smith's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Nathan L. Smith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

Career shape

Across a limited sample of 3 MovieCove titles from 2010 to 2013.

By role

only this rolewith another role
Acting2 of 3: 2 only acting, 0 with another roleProducing1 of 3: 1 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Nathan L. Smith's films land?

Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 3

Approval · how many liked their films

87thpercentile
Typical film, the median of 3

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • 50th to 74th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nathan L. Smith work with?

People who share at least 2 of Nathan L. Smith's MovieCove titles, grouped by what they did on them; Kevin Hart shares the most, 3.

Directors

Writers

Actors

Editors

Producers

Mixed roles