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Margeret-Anne Smith

Editor

Works as
Editor
Titles
9 on MovieCove · 10 credits in all
TMDB popularity, last 38 days to Oct 27Down 16% in 30 days

What are Margeret-Anne Smith's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Power.

Genres

Themes

share of theme weight
Survival
31%
Power
23%
Morality
17%
Bonds
11%
Society
10%
Self
4%
Ideas
4%

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 3 · Wry 1 · Earnest 3

Light 7 · Serious 1 · Dark 0

Grounded 1 · Stylized 5 · Heightened 2

Gentle 3 · Charged 4 · Intense 1

Steady 4 · Shifting 4 · Whiplash 0

Straight-faced 0 · Some laughs 5 · Funny 3

Slow burn 3 · Even-paced 5 · Relentless 0

Casual 8 · Engaged 0 · Full focus 0

Resolved 8 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Thrilling
6
Absurd
6
Joyful
3
Triumphant
1

How their films end

  • Happy5
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Margeret-Anne Smith's films?

As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Margeret-Anne Smith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 9 with a MovieCove page.

  • Oblivion 2: Backlash (not in the MovieCove catalog yet)(1996)

    Music Editor

  • Magic Island(1995)

    Editor

    Midcredits score: 38th percentile of all films
  • Puppet Master 5(1994)

    Editor

    Midcredits score: 12th percentile of all films
  • Oblivion(1994)

    Editor

    Midcredits score: 15th percentile of all films
  • Puppet Master 4(1993)

    Editor

    Midcredits score: 19th percentile of all films
  • Prehysteria!(1993)

    Editor

    Midcredits score: 12th percentile of all films
  • Robot Wars(1993)

    Editor

    Midcredits score: 3rd percentile of all films
  • Trancers III(1992)

    Editor

    Midcredits score: 20th percentile of all films
  • Demonic Toys(1992)

    Additional Editor

    Midcredits score: 17th percentile of all films
  • Dollman(1991)

    Editor

    Midcredits score: 24th percentile of all films

Career shape

A full career of 10 titles from 1991 to 1996.

By role

only this rolewith another role
Editing9 of 10: 9 only editing, 0 with another role · typical Midcredits score17thOther crew1 of 10: 1 only other crew, 0 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Margeret-Anne Smith's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 20th percentile for acclaim.

Acclaim · how much people like their films

20thpercentile
Typical film, the median of 8

Approval · how many liked their films

16thpercentile
Typical film, the median of 8

Reach · how many have seen their films

71stpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 25th to 49th1
  • Below 25th8

Reviewers score the pacing 43/100 in their films, across 7 reviewed titles; fans 56, detractors 27. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Margeret-Anne Smith work with?

People who share at least 2 of Margeret-Anne Smith's MovieCove titles, grouped by what they did on them; Charles Band shares the most, 8.

Directors

Writers

Actors

Composers and cinematographers

Producers