- Writer and producer
- 16 on MovieCove · 23 credits in all
What are Robert Smith's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 14
A split, not a type: Light 3 · Serious 5 · Dark 6
Grounded 7 · Stylized 7 · Heightened 0
Gentle 2 · Charged 8 · Intense 4
Steady 5 · Shifting 8 · Whiplash 1
Straight-faced 9 · Some laughs 4 · Funny 1
Slow burn 4 · Even-paced 10 · Relentless 0
Casual 8 · Engaged 6 · Full focus 0
Easy watch 3 · Affecting 9 · Heavy 2
Resolved 11 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy7
- Bittersweet4
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Smith's films?
As of October 24, 2026, 10 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (7).
- BritBox
Subscription and free streaming for Robert Smith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 16 with a MovieCove page.

A Touch of Frost(1992)
Midcredits score: 87th percentile of all showsAvailable Light (not in the MovieCove catalog yet)(1990)

ScreenPlay (not in the MovieCove catalog yet)(1986)

Screen Two (not in the MovieCove catalog yet)(1985)
Midcredits score: 3rd percentile of all films
Girls Town (not in the MovieCove catalog yet)(1959)

The Big Operator (not in the MovieCove catalog yet)(1959)

The Five Pennies(1959)
Midcredits score: 83rd percentile of all films
St. Louis Blues(1958)
Midcredits score: 83rd percentile of all films
Sea Hunt(1958)
Midcredits score: 74th percentile of all shows
The Lonely Man(1957)
Midcredits score: 54th percentile of all films
The Buster Keaton Story(1957)
Midcredits score: 18th percentile of all films
Paris Model(1953)
Midcredits score: 2nd percentile of all films
99 River Street(1953)
Midcredits score: 90th percentile of all films
Midcredits score: 66th percentile of all films
Invasion, U.S.A.(1952)
Midcredits score: 1st percentile of all films
Sudden Fear(1952)
Midcredits score: 94th percentile of all films
The Magic Face (not in the MovieCove catalog yet)(1951)

The Second Woman(1950)
Midcredits score: 50th percentile of all films
Quicksand(1950)
Midcredits score: 62nd percentile of all films
The Big Wheel(1949)
Midcredits score: 24th percentile of all films
I Walk Alone(1947)
Midcredits score: 80th percentile of all films
You Came Along (not in the MovieCove catalog yet)(1945)
Career shape
A full career of 21 titles from 1945 to 1992.

Biggest box office
Sudden Fear (1952)

Highest rated
Sudden Fear (1952)

Most popular right now
The Beast from 20,000 Fathoms (1953)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Robert Smith's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up6
- 50th to 74th5
- Below 25th5
Shape of the crowd
10 of their 16 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser10
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 48/100 and the plot and story 45/100 in their films, across 14 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert Smith work with?
People who share at least 2 of Robert Smith's MovieCove titles, grouped by what they did on them; Cecil Kellaway shares the most, 3.
Directors
- Alfred E. GreenShared titles: Paris Model (1953), Invasion, U.S.A. (1952)See all 2 shared titles with Alfred E. Green

Actors
- Cecil KellawayShared titles: The Private Lives of Adam and Eve (1960), Paris Model (1953), The Beast from 20,000 Fathoms (1953)See all 3 shared titles with Cecil Kellaway

- Mickey RooneyShared titles: The Private Lives of Adam and Eve (1960), Quicksand (1950), The Big Wheel (1949)See all 3 shared titles with Mickey Rooney

- Tuesday WeldShared titles: The Private Lives of Adam and Eve (1960), The Five Pennies (1959)See all 2 shared titles with Tuesday Weld

- Jack PalanceShared titles: The Lonely Man (1957), Sudden Fear (1952)See all 2 shared titles with Jack Palance

Composers, cinematographers and editors
- Walter ThompsonShared titles: Quicksand (1950), The Second Woman (1950), The Big Wheel (1949)See all 3 shared titles with Walter Thompson
- Lionel LindonShared titles: The Lonely Man (1957), Quicksand (1950)See all 2 shared titles with Lionel Lindon

- Victor YoungShared titles: The Buster Keaton Story (1957), I Walk Alone (1947)See all 2 shared titles with Victor Young

- Albert GlasserShared titles: Paris Model (1953), Invasion, U.S.A. (1952)See all 2 shared titles with Albert Glasser
Producers
- Mort BriskinShared titles: Quicksand (1950), The Second Woman (1950), The Big Wheel (1949)See all 3 shared titles with Mort Briskin
- Albert ZugsmithShared titles: The Private Lives of Adam and Eve (1960), Paris Model (1953), Invasion, U.S.A. (1952)See all 3 shared titles with Albert Zugsmith

- Harry M. PopkinShared titles: The Second Woman (1950), The Big Wheel (1949)See all 2 shared titles with Harry M. Popkin

- Joseph H. NadelShared titles: The Second Woman (1950), The Big Wheel (1949)See all 2 shared titles with Joseph H. Nadel




