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Amedeo Sollazzo

Writer · Died December 28, 1971, aged 40

Born
January 1, 1931
Died
December 28, 1971 (aged 40)
Works as
Writer
Titles
3 on MovieCove · 29 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 32% in 30 days

What are Amedeo Sollazzo's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
58%
Morality
31%
Power
10%
Friendship2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 0 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 1 · Heightened 1

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 2 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

A split, not a type: Steady 1 · Shifting 2 · Whiplash 0

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 0 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
2
Absurd
2
Tense
1
Thrilling
1
Contemplative
1

How their films linger

Fun3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Amedeo Sollazzo's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on Tubi (1).

Subscription and free streaming for Amedeo Sollazzo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 3 with a MovieCove page.

  • The Two Big Cats O'Nine Tails... and a Half in Amsterdam (not in the MovieCove catalog yet)(1972)

    Screenplay · Story

  • They Were Still Called... The Most and the Least (not in the MovieCove catalog yet)(1972)

    Screenplay · Story

  • The Two Big Shots (not in the MovieCove catalog yet)(1971)

    Screenplay

  • Will the Lawyer Franco Benenato Be Able to Defeat his Arch Enemy the Magistrate Ciccio De Ingras? (not in the MovieCove catalog yet)(1971)

    Screenplay · Story

  • The Two of the F. 1 at the Craziest, Craziest Race in the World (not in the MovieCove catalog yet)(1971)

    Screenplay

  • ...Excuse Me, Do You Pay Taxes? (not in the MovieCove catalog yet)(1971)

    Screenplay

  • Mazzabubù... quante corna stanno quaggiù? (not in the MovieCove catalog yet)(1971)

    Writer

  • Who Gave You the License? (not in the MovieCove catalog yet)(1970)

    Screenplay

  • Don Franco and Don Ciccio in a Year of Protest (not in the MovieCove catalog yet)(1970)

    Screenplay · Story

  • Franco and Ciccio... Robber and Cop (not in the MovieCove catalog yet)(1969)

    Screenplay · Story

  • Franco, Ciccio and the Pirate Blackbeard (not in the MovieCove catalog yet)(1969)

    Screenplay · Story

  • Guess Who's Coming for a Snack? (not in the MovieCove catalog yet)(1969)

    Screenplay · Story

  • God Was in the West, Too, at One Time(1968)

    Screenplay

    Midcredits score: 13th percentile of all films

  • Ciccio Forgives, I Don't (not in the MovieCove catalog yet)(1968)

    Screenplay · Story

  • Franco, Ciccio and the Cheerful Widows (not in the MovieCove catalog yet)(1968)

    Screenplay · Story

  • Two R-R-Ringos from Texas (not in the MovieCove catalog yet)(1967)

    Screenplay · Story

  • The Tall, The Short, The Cat (not in the MovieCove catalog yet)(1967)

    Screenplay · Story

  • How We Stole the Atomic Bomb (not in the MovieCove catalog yet)(1967)

    Screenplay · Story

  • How We Robbed the Bank of Italy (not in the MovieCove catalog yet)(1966)

    Screenplay

  • 2 mafiosi contro Al Capone(1966)

    Screenplay

    Midcredits score: 28th percentile of all films

  • The Two Parachutists (not in the MovieCove catalog yet)(1965)

    Screenplay · Story

  • 002 Operation Moon (not in the MovieCove catalog yet)(1965)

    Screenplay · Story

  • The Amazing Doctor G(1965)

    Screenplay · Story

    Midcredits score: 17th percentile of all films

  • How We Got Into Trouble with the Army (not in the MovieCove catalog yet)(1965)

    Screenplay

  • Two Idiots at Fort Alamo (not in the MovieCove catalog yet)(1965)

    Screenplay

  • Fistful of Knuckles (not in the MovieCove catalog yet)(1965)

    Screenplay · Story

  • Venus in the Sun (not in the MovieCove catalog yet)(1964)

    Writer

  • Seduced and Duped (not in the MovieCove catalog yet)(1964)

    Screenplay · Story

  • Oh! Those Most Secret Agents (not in the MovieCove catalog yet)(1964)

    Screenplay

Career shape

A full career of 29 titles from 1964 to 1972.

Most popular right now

2 mafiosi contro Al Capone (1966)

By role

only this rolewith another role
Writing29 of 29: 29 only writing, 0 with another role

By decade

1960s20 · crew1970s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Amedeo Sollazzo's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 23rd percentile for acclaim.

Acclaim · how much people like their films

23rdpercentile
Typical film, the median of 3

Approval · how many liked their films

17thpercentile
Typical film, the median of 3

Reach · how many have seen their films

20thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th1
  • Below 25th2

Shape of the crowd

3 of their 3 titles are Mixed.

  • Mixed3

Most divisive · writer

The Amazing Doctor G (1965)

55th percentile spread · 29% rated it 4 or lower

Most loved · writer

2 mafiosi contro Al Capone (1966)

Midcredits 28th · 31% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Amedeo Sollazzo work with?

People who share at least 2 of Amedeo Sollazzo's MovieCove titles, grouped by what they did on them; Giorgio Simonelli shares the most, 2.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers