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Alan M. Solomon

Producer

Works as
Producer
Titles
11 on MovieCove

What are Alan M. Solomon's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 5 · Stylized 6 · Heightened 0

Gentle 2 · Charged 8 · Intense 1

Steady 7 · Shifting 3 · Whiplash 1

Straight-faced 4 · Some laughs 7 · Funny 0

Slow burn 4 · Even-paced 5 · Relentless 2

Casual 10 · Engaged 1 · Full focus 0

Resolved 10 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Thrilling
7
Absurd
4
Joyful
1
Dread
1
Other
3

How their films end

  • Happy7
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alan M. Solomon's films?

As of October 24, 2026, 3 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Alan M. Solomon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 11 with a MovieCove page.

  • Creepies(2004)

    Producer

    Midcredits score: 7th percentile of all films
  • The Circuit 2(2002)

    Producer

    Midcredits score: 11th percentile of all films
  • The Circuit(2001)

    Producer

    Midcredits score: 5th percentile of all films
  • Midcredits score: 3rd percentile of all films (provisional, few ratings)
  • Absolute Aggression(1996)

    Producer

    Midcredits score: 1st percentile of all films
  • Tough and Deadly(1995)

    Producer

    Midcredits score: 41st percentile of all films
  • Midcredits score: 21st percentile of all films
  • Talons of the Eagle(1992)

    Producer

    Midcredits score: 18th percentile of all films
  • McBain(1991)

    Producer

    Midcredits score: 12th percentile of all films
  • Moontrap(1988)

    Producer

    Midcredits score: 11th percentile of all films
  • Shakedown(1988)

    Producer

    Midcredits score: 41st percentile of all films

Career shape

Across their 11 MovieCove titles from 1988 to 2004.

By role

only this rolewith another role
Producing11 of 11: 11 only producing, 0 with another role · typical Midcredits score11th

By decade

1980s2 · crew1990s5 · crew2000s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Alan M. Solomon's films land?

Their typical MovieCove film has a Midcredits score in the 11th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 15th percentile for acclaim.

Acclaim · how much people like their films

15thpercentile
Typical film, the median of 11

Approval · how many liked their films

11thpercentile
Typical film, the median of 11

Reach · how many have seen their films

46thpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 25th to 49th2
  • Below 25th9

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alan M. Solomon work with?

People who share at least 2 of Alan M. Solomon's MovieCove titles, grouped by what they did on them; James Glickenhaus shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers