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MovieCove

Joe Solomon

Producer

Works as
Producer
Titles
12 on MovieCove · 16 credits in all
TMDB popularity, last 37 days to Oct 26Down 33% in 30 days

What are Joe Solomon's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Power and Self.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 3 · Dark 3

Grounded 4 · Stylized 8 · Heightened 0

Gentle 1 · Charged 10 · Intense 1

Steady 2 · Shifting 8 · Whiplash 2

A split, not a type: Straight-faced 6 · Some laughs 4 · Funny 2

Slow burn 5 · Even-paced 6 · Relentless 1

Casual 6 · Engaged 5 · Full focus 1

Resolved 9 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Absurd
7
Melancholic
6
Thrilling
4
Dread
3
Other
4

How their films end · 2 with a twist

  • Bittersweet5
  • Tragic1
  • Ambiguous5
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joe Solomon's films?

As of October 24, 2026, all 12 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Joe Solomon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 12 with a MovieCove page.

  • A Small Town in Texas(1976)

    Producer

    Midcredits score: 29th percentile of all films
  • This Is a Hijack(1973)

    Executive Producer

    Midcredits score: 13th percentile of all films
  • Hot Summer Week (not in the MovieCove catalog yet)(1972)

    Executive Producer

  • Top of the Heap(1972)

    Executive Producer

    Midcredits score: 58th percentile of all films
  • Tower of Evil(1972)

    Executive Producer

    Midcredits score: 29th percentile of all films
  • Werewolves on Wheels(1971)

    Executive Producer

    Midcredits score: 8th percentile of all films
  • Midcredits score: 38th percentile of all films
  • Evel Knievel(1971)

    Producer

    Midcredits score: 23rd percentile of all films
  • The Curious Female (not in the MovieCove catalog yet)(1970)

    Executive Producer

  • The Losers(1970)

    Producer

    Midcredits score: 24th percentile of all films
  • The Gay Deceivers(1969)

    Producer

    Midcredits score: 47th percentile of all films
  • Run, Angel, Run! (not in the MovieCove catalog yet)(1969)

    Producer

  • Angels from Hell(1968)

    Executive Producer

    Midcredits score: 15th percentile of all films
  • The Name of the Game Is Kill (not in the MovieCove catalog yet)(1968)

    Executive Producer

  • Midcredits score: 18th percentile of all films
  • The Black Klansman(1966)

    Producer

    Midcredits score: 53rd percentile of all films

Career shape

A full career of 13 titles from 1967 to 1976.

By role

only this rolewith another role
Producing13 of 13: 13 only producing, 0 with another role · typical Midcredits score29th

By decade

1960s5 · crew1970s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Joe Solomon's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 12

Approval · how many liked their films

22ndpercentile
Typical film, the median of 12

Reach · how many have seen their films

48thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 50th to 74th2
  • 25th to 49th4
  • Below 25th6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Joe Solomon's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 50 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Joe Solomon work with?

People who share at least 2 of Joe Solomon's MovieCove titles, grouped by what they did on them; Jack Starrett shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers