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Ken Solomon

Editor, producer and actor

Works as
Editor, producer and actor
Titles
13 on MovieCove · 14 credits in all

What are Ken Solomon's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

Light 8 · Serious 3 · Dark 0

Grounded 3 · Stylized 7 · Heightened 1

Gentle 5 · Charged 6 · Intense 0

A split, not a type: Steady 6 · Shifting 4 · Whiplash 1

Straight-faced 1 · Some laughs 5 · Funny 5

A split, not a type: Slow burn 6 · Even-paced 4 · Relentless 1

Casual 9 · Engaged 2 · Full focus 0

Resolved 11 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
7
Thrilling
9
Tense
5
Hopeful
2
Absurd
3
Other
7

How their films end

  • Happy9
  • Bittersweet3
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ken Solomon's films?

As of October 24, 2026, 5 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Ken Solomon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 13 with a MovieCove page.

  • Open Season(2006)

    Editor

    Midcredits score: 45th percentile of all films
  • Tom and Jerry Tales(2006)

    Show Editor

    Midcredits score: 74th percentile of all shows
  • Midcredits score: 54th percentile of all films
  • Krypto the Superdog(2005)

    Show Editor

    Midcredits score: 13th percentile of all shows
  • The Chronicles of Riddick: Dark Fury (not in the MovieCove catalog yet)(2004)

    Editor

  • Midcredits score: 45th percentile of all films
  • Midcredits score: 49th percentile of all films
  • Balto: Wolf Quest(2001)

    Editor

    Midcredits score: 47th percentile of all films
  • Midcredits score: 3rd percentile of all films
  • Neon City(1991)

    Producer

    Midcredits score: 19th percentile of all films
  • Pretty Smart(1987)

    Producer · as Count Hawke

    Midcredits score: 15th percentile of all films
  • Hardbodies 2(1986)

    Producer

    Midcredits score: 3rd percentile of all films
  • Vendetta(1986)

    Producer · Production Manager

    Midcredits score: 24th percentile of all films
  • Hardbodies(1984)

    Producer

    Midcredits score: 15th percentile of all films

Career shape

A full career of 7 titles from 1986 to 2006.

Film career

  • 1987Screen debut· Pretty Smart

By role

only this rolewith another role
Acting1 of 7: 0 only acting, 1 with another roleProducing3 of 7: 1 only producing, 2 with another roleEditing4 of 7: 4 only editing, 0 with another roleOther crew1 of 7: 0 only other crew, 1 with another role

By decade

1980s3 · 1 acting · 3 crew2000s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ken Solomon's films land?

Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 27th percentile for acclaim.

Acclaim · how much people like their films

27thpercentile
Typical film, the median of 11

Approval · how many liked their films

24thpercentile
Typical film, the median of 11

Reach · how many have seen their films

77thpercentile
Typical film, the median of 11

Midcredits score across 13 titles, by percentile

  • 50th to 74th2
  • 25th to 49th4
  • Below 25th7

Reviewers score the pacing 45/100 in their films, across 10 reviewed titles; fans 57, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ken Solomon's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 43 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 45 · moderateMedian of all films: 32
Profanity3 titlesmedian 36 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 33 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 36 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ken Solomon work with?

People who share at least 2 of Ken Solomon's MovieCove titles, grouped by what they did on them; Jeff Begun shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles