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Mark Solomon

Mark Solomon

Editor

Works as
Editor
Titles
8 on MovieCove · 9 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 25% in 30 days

What are Mark Solomon's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Themes

share of theme weight
Bonds
54%
Survival
16%
Self
7%
Society
7%
Ideas
7%
Power
6%
Morality
2%
Friendship4 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this themeHope2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 7 · Serious 0 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 5 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 4 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 4 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
4
Joyful
3
Melancholic
3
Warm
3
Tense
2
Other
4

How their films linger

Feel-good5 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy4
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Solomon's films?

As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service, most on Disney+ (3).

Subscription and free streaming for Mark Solomon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 8 with a MovieCove page.

  • Sgt. Stubby: An American Hero(2018)

    Editor

    Midcredits score: 82nd percentile of all films

  • Sherlock Gnomes(2018)

    Editor · Editorial Manager

    Midcredits score: 19th percentile of all films

  • Simon's Cat, Volume. 1 (not in the MovieCove catalog yet)(2017)

    Script Consultant

  • Frankenweenie(2012)

    Editor

    Midcredits score: 80th percentile of all films

  • The Tale of Despereaux(2008)

    Editor

    Midcredits score: 42nd percentile of all films

  • Bambi II(2006)

    Editor

    Midcredits score: 50th percentile of all films

  • The Fox and the Hound 2(2006)

    Editor

    Midcredits score: 23rd percentile of all films

  • Chicken Run(2000)

    Editor

    Midcredits score: 87th percentile of all films

  • Needful Things(1993)

    First Assistant Editor

    Midcredits score: 50th percentile of all films

Career shape

A full career of 8 titles from 1993 to 2018.

Biggest box office

Chicken Run (2000)

$225M worldwide

Highest rated

Chicken Run (2000)

Midcredits 87th

Most popular right now

Frankenweenie (2012)

By role

only this rolewith another role
Writing1 of 8: 1 only writing, 0 with another roleEditing5 of 8: 5 only editing, 0 with another role · typical Midcredits score80thOther crew2 of 8: 2 only other crew, 0 with another role

By decade

1990s1 · crew2000s3 · crew2010s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mark Solomon's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 7

Approval · how many liked their films

45thpercentile
Typical film, the median of 7

Reach · how many have seen their films

95thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

5 of their 8 titles are Crowd Pleasers.

  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed2

Most divisive · editor

Sherlock Gnomes (2018)

52nd percentile spread · 28% rated it 4 or lower

Most loved · editor

Chicken Run (2000)

Midcredits 87th · 73% liked

Reviewers score the pacing 55/100 in their films, across 7 reviewed titles; fans 63, detractors 34. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mark Solomon's work okay for kids?

Across up to 6 MovieCove titles with content scores, profanity runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles32–49 · median 42 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity4 titlesmedian 14 · minimalMedian of all films: 32
Profanity5 titles1–27 · median 4 · minimallighter than most filmsMedian of all films: 36
Alcohol & Drugs3 titlesmedian 13 · minimalMedian of all films: 33
Frightening / Intense6 titles35–60 · median 45 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mark Solomon work with?

People who share at least 2 of Mark Solomon's MovieCove titles; Roger S.H. Schulman shares the most, 2.