Richard Solomon

What are Richard Solomon's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard Solomon's films?

As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (6).

• Tubi6 titles, browse their movies on this service
  • I Am Sam (2001) · producer · free
  • Radio Flyer (1992) · producer · free
  • Conspiracy Theory (1997) · producer · free
  • Woman Walks Ahead (2017) · producer · free
  • Lone Star State of Mind (2002) · producer · free
  • Women vs. Men (2002) · producer · free
• The Roku Channel4 titles, browse their movies on this service
  • I Am Sam (2001) · producer · free
  • Radio Flyer (1992) · producer · free
  • Conspiracy Theory (1997) · producer · free
  • Women vs. Men (2002) · producer · free
• HBO Max1 title, browse their movies on this service
  • The Last Samurai (2003) · producer
• MGM+1 title, browse their movies on this service
  • The Last Samurai (2003) · producer

Subscription and free streaming for Richard Solomon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 13 with a MovieCove page.

• 

  Woman Walks Ahead(2017)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Stephen Colbert's Live Election Night Democracy's Series Finale (not in the MovieCove catalog yet)(2016)

  Director · Production Manager
• 

  Love Happens(2009)

  Executive Producer

  Midcredits score: 24th percentile of all films24^th
• 

  The Last Samurai(2003)

  Executive Producer

  Midcredits score: 96th percentile of all films96^th
• 

  Women vs. Men(2002)

  Executive Producer

  Midcredits score: 18th percentile of all films18^th
• 

  Lone Star State of Mind(2002)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  I Am Sam(2001)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  Traffic(2000)

  Executive Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Conspiracy Theory(1997)

  Co-Producer

  Midcredits score: 68th percentile of all films68^th
• 

  The First to Go(1997)

  Producer · Story

  Midcredits score: 14th percentile of all films14^th
• 

  Assassins(1995)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Free Willy 2: The Adventure Home(1995)

  Producer

  Midcredits score: 23rd percentile of all films23^rd
• 

  Free Willy(1993)

  Co-Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Radio Flyer(1992)

  Co-Executive Producer

  Midcredits score: 76th percentile of all films76^th

Career shape

A full career of 11 titles from 1992 to 2018.

Biggest box office

The Last Samurai (2003)

$455M worldwide

Highest rated

The Last Samurai (2003)

Midcredits 96^th

How do Richard Solomon's films land?

Their typical MovieCove film has a Midcredits score in the 53^rd percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 56^th percentile for acclaim.

Shape of the crowd

5 of their 13 titles are Crowd Pleasers.

3523

• Universally Loved3
• Crowd Pleaser5
• Broadly Agreed2
• Mixed3

Most divisive · writer, producer

The First to Go (1997)

56^th percentile spread · 33% rated it 4 or lower

Most loved · producer

The Last Samurai (2003)

Midcredits 96^th · 86% liked

Reviewers score the dialogue 49/100 and the plot and story 44/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Richard Solomon's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films and sex & nudity and alcohol & drugs lighter.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Richard Solomon work with?

People who share at least 2 of Richard Solomon's MovieCove titles, grouped by what they did on them; Richard Donner shares the most, 5.