Ellen Somers
- Producer
- 3 on MovieCove
What are Ellen Somers' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 0 · Stylized 1 · Heightened 2
Gentle 1 · Charged 1 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 0 · Full focus 1
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ellen Somers' films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Disney+ (2).
Subscription and free streaming for Ellen Somers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Night at the Museum(2006)
Midcredits score: 64th percentile of all films
Peter Pan(2003)
Midcredits score: 79th percentile of all films
Midcredits score: 99th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2001 to 2006.
Biggest box office
The Lord of the Rings: The Fellowship of the Ring (2001)
Highest rated
The Lord of the Rings: The Fellowship of the Ring (2001)
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Ellen Somers' films land?
Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 81st percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Ellen Somers' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.