Edith Sommer

What are Edith Sommer's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edith Sommer's films?

As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service.

• MGM+1 title, browse their movies on this service
  • Jessica (1962) · writer
• Prime Video1 title, browse their movies on this service
  • Jessica (1962) · writer

Subscription and free streaming for Edith Sommer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 7 with a MovieCove page.

• 

  This Property Is Condemned(1966)

  Screenplay

  Midcredits score: 80th percentile of all films80^th
• 

  The Pleasure Seekers (not in the MovieCove catalog yet)(1964)

  Screenplay
• 

  Jessica(1962)

  Screenplay

  Midcredits score: 18th percentile of all films18^th
• 

  The Best of Everything(1959)

  Screenplay

  Midcredits score: 65th percentile of all films65^th
• 

  Blue Denim (not in the MovieCove catalog yet)(1959)

  Screenplay
• 

  Teenage Rebel(1956)

  Theatre Play

  Midcredits score: 39th percentile of all films39^th
• 

  Born to Be Bad(1950)

  Screenplay

  Midcredits score: 64th percentile of all films64^th
• 

  Perfect Strangers(1950)

  Screenplay

  Midcredits score: 46th percentile of all films46^th
• 

  From This Day Forward(1946)

  Writer

  Midcredits score: 55th percentile of all films55^th

Career shape

A full career of 9 titles from 1946 to 1966.

Biggest box office

This Property Is Condemned (1966)

$1.4K worldwide

Highest rated

This Property Is Condemned (1966)

Midcredits 80^th

Most popular right now

Jessica (1962)

How do Edith Sommer's films land?

Their typical MovieCove film has a Midcredits score in the 55^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 56^th percentile for acclaim.

Shape of the crowd

None of their 7 titles divides audiences: 4 are Crowd Pleasers.

421

• Crowd Pleaser4
• Broadly Agreed2
• Mixed1

Most loved · writer

This Property Is Condemned (1966)

Midcredits 80^th · 72% liked

Reviewers score the dialogue 58/100 and the plot and story 48/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edith Sommer work with?

People who share at least 2 of Edith Sommer's MovieCove titles, grouped by what they did on them; Leigh Harline shares the most, 3.