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Anne Sopel

Editor · Stoke Newington, London, England, UK

Anne Sopel was born in Stoke Newington, London, England, UK. She is an editor, known for Bad Sisters (2022), Riot Women (2025) and Miss Austen (2025).

Biography from IMDb.

From
Stoke Newington, London, England, UK
Works as
Editor
Titles
26 on MovieCove · 31 credits in all
TMDB popularity, last 156 days to Oct 27Down 27% in 30 days

What are Anne Sopel's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 4 · Dark 4

A split, not a type: Grounded 8 · Stylized 5 · Heightened 1

Gentle 6 · Charged 6 · Intense 2

Steady 12 · Shifting 1 · Whiplash 1

Straight-faced 6 · Some laughs 6 · Funny 2

Slow burn 7 · Even-paced 7 · Relentless 0

Casual 5 · Engaged 8 · Full focus 1

A split, not a type: Easy watch 7 · Affecting 3 · Heavy 4

Resolved 7 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Contemplative
9
Melancholic
7
Dread
7
Warm
6
Other
18

How their films end · 2 with a twist

  • Happy4
  • Bittersweet13
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anne Sopel's films?

As of October 24, 2026, 18 of their 26 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Anne Sopel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 26 with a MovieCove page.

  • Miss Austen(2025)

    Show 4 episodes · Editor

    Midcredits score: 63rd percentile of all shows
  • Brian and Maggie(2025)

    Show 2 episodes · Editor

    Midcredits score: 44th percentile of all shows
  • Riot Women(2025)

    Show Editor

    Midcredits score: 95th percentile of all shows
  • Belgravia: The Next Chapter(2024)

    Show 1 episode · Editor

    Midcredits score: 49th percentile of all shows
  • Bad Sisters(2022)

    Show 2 episodes · Editor

    Midcredits score: 91st percentile of all shows
  • No Return (not in the MovieCove catalog yet)(2022)

    Show 4 episodes · Editor

  • The Last Bus(2021)

    Editor

    Midcredits score: 67th percentile of all films
  • How to Fake a War(2019)

    Editor

    Midcredits score: 10th percentile of all films
  • Military Wives(2019)

    Editor

    Midcredits score: 64th percentile of all films
  • The Pale Horse(2020)

    Show Editor

    Midcredits score: 10th percentile of all shows
  • Torvill & Dean (not in the MovieCove catalog yet)(2018)

    Editor

  • The White Princess(2017)

    Show 3 episodes · Editor

    Midcredits score: 79th percentile of all shows
  • Whisky Galore(2016)

    Editor

    Midcredits score: 37th percentile of all films
  • Castles in the Sky(2014)

    Editor

    Midcredits score: 74th percentile of all films
  • The Village(2013)

    Show 2 episodes · Editor

    Midcredits score: 79th percentile of all shows
  • The Mill(2013)

    Show Editor

    Midcredits score: 75th percentile of all shows
  • Midcredits score: 66th percentile of all films
  • Above Suspicion(2009)

    Show 6 episodes · Editor

    Midcredits score: 62nd percentile of all shows
  • Midcredits score: 57th percentile of all films
  • Guy X(2005)

    Editor

    Midcredits score: 16th percentile of all films
  • Canterbury Tales (not in the MovieCove catalog yet)(2003)

    Show 2 episodes · Editor

  • Deathwatch(2002)

    Editor

    Midcredits score: 39th percentile of all films
  • Crush(2001)

    Editor

    Midcredits score: 34th percentile of all films
  • The Tribe(1998)

    Editor

    Midcredits score: 37th percentile of all films
  • Food of Love (not in the MovieCove catalog yet)(1997)

    Editor

  • Sweet Angel Mine(1996)

    Editor

    Midcredits score: 31st percentile of all films
  • Midcredits score: 81st percentile of all films
  • Midcredits score: 14th percentile of all films (provisional, few ratings)
  • Naked Making Lunch (not in the MovieCove catalog yet)(1992)

    Editor

  • Withnail and I(1987)

    Assistant Editor

    Midcredits score: 93rd percentile of all films
  • The Killing Fields(1984)

    Assistant Editor

    Midcredits score: 97th percentile of all films

Career shape

A full career of 26 titles from 1984 to 2025.

By role

only this rolewith another role
Editing24 of 26: 24 only editing, 0 with another role · typical Midcredits score57thOther crew2 of 26: 2 only other crew, 0 with another role

By decade

1980s2 · crew1990s5 · crew2000s6 · crew2010s5 · crew2020s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anne Sopel's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 16; across their 14 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 14

Approval · how many liked their films

42ndpercentile
Typical film, the median of 14

Reach · how many have seen their films

55thpercentile
Typical film, the median of 14

Midcredits score across 26 titles, by percentile

  • 75th and up8
  • 50th to 74th7
  • 25th to 49th7
  • Below 25th4

Shape of the crowd

11 of their 26 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser11
  • Broadly Agreed3
  • Mixed8

Reviewers score the pacing 37/100 in their films, across 11 reviewed titles; fans 50, detractors 23. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Anne Sopel's work okay for kids?

Across up to 10 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 57 · moderateMedian of all films: 44
Sex & Nudity10 titles26–62 · median 46 · moderateheavier than most filmsMedian of all films: 32
Profanity4 titlesmedian 62 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 49 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 58 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Anne Sopel work with?

People who share at least 2 of Anne Sopel's MovieCove titles, grouped by what they did on them; Sam Taylor shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers