Marc Sorkin
- Editor
- 6 on MovieCove · 21 credits in all
What are Marc Sorkin's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 1 · Serious 1 · Dark 3
Grounded 5 · Stylized 0 · Heightened 0
Gentle 0 · Charged 1 · Intense 4
Steady 1 · Shifting 3 · Whiplash 1
Straight-faced 5 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 3 · Full focus 1
Easy watch 0 · Affecting 1 · Heavy 4
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marc Sorkin's films?
As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Marc Sorkin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 6 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Singing in the Dark (not in the MovieCove catalog yet)(1956)
Pictura (not in the MovieCove catalog yet)(1951)
Sérénade(1940)
Midcredits score: 49th percentile of all films (provisional, few ratings)Pasha's Wives (not in the MovieCove catalog yet)(1939)
Street of Shadows (not in the MovieCove catalog yet)(1937)
Cette nuit-là (not in the MovieCove catalog yet)(1933)
Queen of Atlantis (not in the MovieCove catalog yet)(1932)
The Five Accursed Gentlemen (not in the MovieCove catalog yet)(1932)
Comradeship(1931)
Midcredits score: 93rd percentile of all films
Mountains on Fire (not in the MovieCove catalog yet)(1931)
Morals at Midnight (not in the MovieCove catalog yet)(1930)
Scandalous Eva (not in the MovieCove catalog yet)(1930)
Westfront 1918(1930)
Midcredits score: 88th percentile of all films
The White Hell of Pitz Palu (not in the MovieCove catalog yet)(1929)
Diary of a Lost Girl (not in the MovieCove catalog yet)(1929)
Pandora's Box(1929)
Midcredits score: 93rd percentile of all films
The Devious Path (not in the MovieCove catalog yet)(1928)
The Love of Jeanne Ney(1927)
Midcredits score: 86th percentile of all films
One Does Not Play with Love (not in the MovieCove catalog yet)(1926)
Secrets of a Soul (not in the MovieCove catalog yet)(1926)
The Joyless Street(1925)
Midcredits score: 78th percentile of all films
Career shape
A full career of 20 titles from 1926 to 1956.
How do Marc Sorkin's films land?
Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 84th percentile for acclaim.
- 75th and up5
- 25th to 49th1
Shape of the crowd
None of their 6 titles divides audiences: 3 are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser3
- Mixed1
Reviewers score the pacing 56/100 in their films, across 4 reviewed titles; fans 60, detractors 37. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marc Sorkin work with?
People who share at least 2 of Marc Sorkin's MovieCove titles, grouped by what they did on them; Georg Wilhelm Pabst shares the most, 4.
Directors
- Georg Wilhelm PabstShared titles: Comradeship (1931), Westfront 1918 (1930), The Love of Jeanne Ney (1927), The Joyless Street (1925)See all 4 shared titles with Georg Wilhelm Pabst
Writers
- Ladislaus VajdaShared titles: Comradeship (1931), Westfront 1918 (1930), The Love of Jeanne Ney (1927)See all 3 shared titles with Ladislaus Vajda
- Peter Martin LampelShared titles: Comradeship (1931), Westfront 1918 (1930)See all 2 shared titles with Peter Martin Lampel
Actors
- Fritz KampersShared titles: Comradeship (1931), Westfront 1918 (1930)See all 2 shared titles with Fritz Kampers
- Gustav PüttjerShared titles: Comradeship (1931), Westfront 1918 (1930)See all 2 shared titles with Gustav Püttjer
- Vladimir SokoloffShared titles: Westfront 1918 (1930), The Love of Jeanne Ney (1927)See all 2 shared titles with Vladimir Sokoloff
Cinematographers and editors
- Fritz Arno WagnerShared titles: Comradeship (1931), Westfront 1918 (1930), The Love of Jeanne Ney (1927)See all 3 shared titles with Fritz Arno Wagner
- Jean OserShared titles: Comradeship (1931), Westfront 1918 (1930)See all 2 shared titles with Jean Oser
- Robert LachShared titles: The Love of Jeanne Ney (1927), The Joyless Street (1925)See all 2 shared titles with Robert Lach
Producers
- Seymour NebenzalShared titles: Comradeship (1931), Westfront 1918 (1930)See all 2 shared titles with Seymour Nebenzal