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Stéphane Sorlat

Stéphane Sorlat

Producer

Stéphane Sorlat is a French producer and distributor of feature films and documentaries. He was one of the original founders of the French distribution company BAC FILMS with Jean Labadie. Together with Guy Amon, he then founded Mondex & cie, a feature film and TV programme production and distribution company.

Read more

Biography from TMDB.

Works as
Producer
Titles
18 on MovieCove · 31 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 1% in 30 days

What are Stéphane Sorlat's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Genres

Drama7 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Drama movies
Documentary4 titlesTypical Midcredits score: 68th percentile, at or above their average across these genres
: browse their Documentary movies
Comedy3 titlesTypical Midcredits score: 14th percentile
: browse their Comedy movies
Adventure2 titlesTypical Midcredits score: 89th percentile, at or above their average across these genres
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
21%
Society
20%
Ideas
18%
Self
17%
Morality
11%
Power
10%
Survival
4%
Art4 titles, browse their movies with this themeComing of age3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeObsession3 titles, browse their movies with this themePrejudice2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 8 · Serious 3 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 6 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 7 · Charged 4 · Intense 7

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 9 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 14 · Some laughs 3 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 12 · Even-paced 5 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 11 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 8 · Affecting 2 · Heavy 8

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 11 · Open-ended 2 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Contemplative
7
Melancholic
7
Warm
7
Joyful
3
Other
12

How their films linger

Thought-provoking8 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteWistful5 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet7
  • Tragic3
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stéphane Sorlat's films?

As of October 24, 2026, 6 of their 18 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Stéphane Sorlat's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 18 with a MovieCove page.

  • Día de caza (not in the MovieCove catalog yet)(2026)

    Associate Producer

  • The Veláquez Mystery (not in the MovieCove catalog yet)(2025)

    Director · Writer

  • L'ombre de Goya par Jean-Claude Carrière(2022)

    Producer

    Midcredits score: 67th percentile of all films

  • Francisco de Goya: The Dream of Reason (not in the MovieCove catalog yet)(2019)

    Producer

  • The Candidate(2018)

    Producer

    Midcredits score: 87th percentile of all films

  • A Twelve-Year Night(2018)

    Associate Producer

    Midcredits score: 94th percentile of all films

  • Searching for Ingmar Bergman(2018)

    Co-Producer

    Midcredits score: 68th percentile of all films

  • Bosch: The Garden of Dreams(2016)

    Producer

    Midcredits score: 74th percentile of all films

  • Argentina(2015)

    Producer

    Midcredits score: 66th percentile of all films

  • Mejor que nunca (not in the MovieCove catalog yet)(2009)

    Producer

  • Azur & Asmar: The Princes' Quest(2006)

    Producer

    Midcredits score: 94th percentile of all films

  • The Great Challenge(2004)

    Co-Producer

    Midcredits score: 12th percentile of all films

  • Ma mère(2004)

    Associate Producer

    Midcredits score: 17th percentile of all films

  • Sansa (not in the MovieCove catalog yet)(2004)

    Producer

  • No Big Deal (not in the MovieCove catalog yet)(2003)

    Producer

  • The Spanish Apartment(2002)

    Co-Producer

    Midcredits score: 89th percentile of all films

  • Love and Other Curiosities (not in the MovieCove catalog yet)(2001)

    Producer

  • Private Lives (not in the MovieCove catalog yet)(2001)

    Co-Producer

  • The Prince of the Pacific (not in the MovieCove catalog yet)(2000)

    Co-Producer

  • Salsa (not in the MovieCove catalog yet)(2000)

    Co-Producer

  • Volaverunt(1999)

    Producer

    Midcredits score: 37th percentile of all films

  • East/West(1999)

    Producer

    Midcredits score: 83rd percentile of all films

  • Diary for a Tale (not in the MovieCove catalog yet)(1998)

    Associate Producer

  • Don Juan(1998)

    Producer

    Midcredits score: 14th percentile of all films

  • La femme du cosmonaute(1997)

    Associate Producer

    Midcredits score: 3rd percentile of all films

  • The Apartment(1996)

    Producer

    Midcredits score: 87th percentile of all films

  • Dark Woods (not in the MovieCove catalog yet)(1989)

    Producer

  • Landscape in the Mist(1988)

    Producer

    Midcredits score: 97th percentile of all films

  • Widow's Walk (not in the MovieCove catalog yet)(1987)

    Producer

  • The Gold Rimmed Glasses(1987)

    Associate Producer

    Midcredits score: 76th percentile of all films

  • Devil in the Flesh(1986)

    Producer

    Midcredits score: 33rd percentile of all films

Career shape

A full career of 24 titles from 1987 to 2026.

Biggest box office

The Spanish Apartment (2002)

$33M worldwide

Highest rated

Landscape in the Mist (1988)

Midcredits 97th

Most popular right now

Azur & Asmar: The Princes' Quest (2006)

By role

only this rolewith another role
Directing1 of 24: 0 only directing, 1 with another roleWriting1 of 24: 0 only writing, 1 with another roleProducing23 of 24: 23 only producing, 0 with another role · typical Midcredits score76th

By decade

1980s4 · crew1990s4 · crew2000s10 · crew2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Stéphane Sorlat's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 18; across their 18 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 18

Approval · how many liked their films

68thpercentile
Typical film, the median of 18

Reach · how many have seen their films

74thpercentile
Typical film, the median of 18

Midcredits score across 18 titles, by percentile

  • 75th and up8
  • 50th to 74th4
  • 25th to 49th2
  • Below 25th4

Shape of the crowd

8 of their 18 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser8
  • Mixed6

Most divisive · producer

Ma mère (2004)

65th percentile spread · 35% rated it 4 or lower

Most loved · producer

Landscape in the Mist (1988)

Midcredits 97th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Stéphane Sorlat's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 52 · moderateMedian of all films: 44
Sex & Nudity7 titles36–77 · median 46 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 42 · moderateMedian of all films: 36
Alcohol & Drugs4 titlesmedian 49 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 48 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Stéphane Sorlat work with?

People who share at least 2 of Stéphane Sorlat's MovieCove titles, grouped by what they did on them; Mate Cantero shares the most, 7.

Directors

Writers

Actors

Producers

Mixed roles