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Daria Špačková

Producer · Born August 22, 1975 (51)

Born
August 22, 1975 (51)
Works as
Producer
Titles
6 on MovieCove · 11 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 46% in 30 days

What are Daria Špačková's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
44%
Self
26%
Ideas
14%
Society
9%
Power
7%
Family bonds2 titles, browse their movies with this themePurpose2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 1 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 2 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
3
Absurd
2
Tense
1
Warm
2
Bittersweet
1
Other
5

How their films linger

Thought-provoking2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet2
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Daria Špačková's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Daria Špačková's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 6 with a MovieCove page.

  • King of Shumava: Phantom of the Dark Region (not in the MovieCove catalog yet)(2022)

    Show 9 episodes · Producer

  • Grand Prix(2022)

    Producer

    Midcredits score: 38th percentile of all films

  • Zátopek(2021)

    Producer · Production Manager

    Midcredits score: 85th percentile of all films

  • Anthropoid(2016)

    Producer

    Midcredits score: 88th percentile of all films

  • Lost in Munich(2015)

    Executive Producer

    Midcredits score: 72nd percentile of all films

  • In the Shadow(2012)

    Production Manager

    Midcredits score: 79th percentile of all films

  • Beauty in Trouble(2006)

    Executive Producer

    Midcredits score: 69th percentile of all films

  • Situation of the Street or the Czech Sea in the 18 Tidal Waves (not in the MovieCove catalog yet)(2003)

    Production Manager

  • Kanárek (not in the MovieCove catalog yet)(1999)

    Executive Producer · Producer · as FAMU Student 4

  • Dead Beetle (not in the MovieCove catalog yet)(1998)

    Production Manager

  • Měsíční údolí (not in the MovieCove catalog yet)(1994)

    Assistant Production Manager

Career shape

A full career of 9 titles from 1994 to 2022.

Biggest box office

Anthropoid (2016)

$5.1M worldwide

Highest rated

Anthropoid (2016)

Midcredits 88th

By role

only this rolewith another role
Acting1 of 9: 0 only acting, 1 with another roleProducing4 of 9: 3 only producing, 1 with another roleOther crew5 of 9: 5 only other crew, 0 with another role

By decade

1990s3 · 1 acting · 3 crew2000s2 · crew2010s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Daria Špačková's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 5

Approval · how many liked their films

72ndpercentile
Typical film, the median of 5

Reach · how many have seen their films

49thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th1

Shape of the crowd

None of their 6 titles divides audiences: 5 are Crowd Pleasers.

  • Crowd Pleaser5
  • Mixed1

Most loved · producer

Anthropoid (2016)

Midcredits 88th · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Daria Špačková work with?

People who share at least 2 of Daria Špačková's MovieCove titles, grouped by what they did on them; David Ondříček shares the most, 3.

Actors

Producers