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Ettore Spagnuolo

Producer

Works as
Producer
Titles
3 on MovieCove · 13 credits in all
TMDB popularity, last 39 days to Oct 28Down 22% in 30 days

What are Ettore Spagnuolo's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
65%
Self
19%
Survival
9%
Power
7%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 2

Grounded 1 · Stylized 1 · Heightened 1

Gentle 0 · Charged 0 · Intense 3

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 2 · Relentless 1

Casual 1 · Engaged 2 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
2
Melancholic
2
Thrilling
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ettore Spagnuolo's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Ettore Spagnuolo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 3 with a MovieCove page.

  • Demonia (not in the MovieCove catalog yet)(1990)

    Producer

  • Miami Cops (not in the MovieCove catalog yet)(1989)

    Producer

  • Getting Even(1989)

    Producer

    Midcredits score: 2nd percentile of all films
  • Jiboa (not in the MovieCove catalog yet)(1989)

    Producer

  • Cross Mission (not in the MovieCove catalog yet)(1988)

    Producer

  • Aenigma(1987)

    Presenter · Producer

    Midcredits score: 16th percentile of all films
  • Wartime (not in the MovieCove catalog yet)(1987)

    Executive Producer

  • Bridge to Hell (not in the MovieCove catalog yet)(1986)

    Producer

  • Collector's Item(1985)

    Producer

    Midcredits score: 15th percentile of all films
  • The Violent Breed (not in the MovieCove catalog yet)(1984)

    Producer

  • Throne of Fire (not in the MovieCove catalog yet)(1983)

    Producer

  • The Sword of the Barbarians (not in the MovieCove catalog yet)(1982)

    Producer

  • The Hawk and the Dove (not in the MovieCove catalog yet)(1981)

    Producer

Career shape

A full career of 12 titles from 1981 to 1990.

By role

only this rolewith another role
Producing12 of 12: 11 only producing, 1 with another roleOther crew1 of 12: 0 only other crew, 1 with another role

By decade

1980s11 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ettore Spagnuolo's films land?

Their typical MovieCove film has a Midcredits score in the 15th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 21st percentile for acclaim.

Acclaim · how much people like their films

21stpercentile
Typical film, the median of 3

Approval · how many liked their films

10thpercentile
Typical film, the median of 3

Reach · how many have seen their films

56thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • Below 25th3

Shape of the crowd

None of their 3 titles divides audiences: 2 are Mixed.

  • Universally Panned1
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ettore Spagnuolo work with?

People who share at least 2 of Ettore Spagnuolo's MovieCove titles, grouped by what they did on them; Lucio Fulci shares the most, 2.

Writers

Editors

Producers