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Jack Speirs

Writer, director and producer

Works as
Writer, director and producer
Titles
4 on MovieCove · 10 credits in all

What are Jack Speirs' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Ideas.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 4 · Stylized 0 · Heightened 0

Gentle 4 · Charged 0 · Intense 0

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 1 · Some laughs 3 · Funny 0

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
4
Hopeful
3
Contemplative
3
Thrilling
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jack Speirs' films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, on Disney+ (2).

Subscription and free streaming for Jack Speirs' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 4 with a MovieCove page.

  • The Footloose Fox (not in the MovieCove catalog yet)(1979)

    Director

  • A Tale of Two Critters(1977)

    Director · Producer · Writer

    Midcredits score: 36th percentile of all films
  • Seems There Was This Moose (not in the MovieCove catalog yet)(1975)

    Co-Producer · Writer

  • The Bears and I(1974)

    Writer

    Midcredits score: 48th percentile of all films
  • The Nashville Coyote (not in the MovieCove catalog yet)(1972)

    Writer

  • King of the Grizzlies(1970)

    Screenplay

    Midcredits score: 26th percentile of all films
  • My Family Is a Menagerie (not in the MovieCove catalog yet)(1968)

    Teleplay

  • Midcredits score: 66th percentile of all films
  • The Legend of El Blanco (not in the MovieCove catalog yet)(1966)

    Writer

  • Monsters of the Deep (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 9 titles, 8 of them dated from 1966 to 1979.

By role

only this rolewith another role
Directing2 of 9: 1 only directing, 1 with another roleWriting8 of 9: 6 only writing, 2 with another roleProducing1 of 9: 0 only producing, 1 with another role

By decade

1960s3 · crew1970s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jack Speirs' films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 4

Approval · how many liked their films

39thpercentile
Typical film, the median of 4

Reach · how many have seen their films

37thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th1
  • 25th to 49th3

Reviewers score the plot and story 36/100 in their films, across 4 reviewed titles; fans 48, detractors 25. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jack Speirs work with?

People who share at least 2 of Jack Speirs' MovieCove titles, grouped by what they did on them; G. Gregg McLaughlin shares the most, 4.

Composers and editors

Producers

Mixed roles