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Evan Spiliotopoulos

Evan Spiliotopoulos

Writer and editor, also director and producer · Born January 1, 1973 (53) · Greece

Evan Spiliotopoulos is a Greek-American screenwriter, best known for writing Hercules, Tinker Bell and the Lost Treasure and Beauty and the Beast. He also wrote the script for the film The Huntsman: Winter's War.

Biography from TMDB.

Born
January 1, 1973 (53)
From
Greece
Works as
Writer and editor, also director and producer
Titles
22 on MovieCove · 27 credits in all
TMDB popularity, last 157 days to Oct 28Down 16% in 30 days

What are Evan Spiliotopoulos' films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category

Light 13 · Serious 8 · Dark 1

A split, not a type: Grounded 3 · Stylized 9 · Heightened 10

Gentle 8 · Charged 10 · Intense 4

Steady 10 · Shifting 11 · Whiplash 1

Straight-faced 6 · Some laughs 11 · Funny 5

Slow burn 6 · Even-paced 15 · Relentless 1

Casual 14 · Engaged 6 · Full focus 2

Resolved 20 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
10
Tense
8
Thrilling
11
Hopeful
7
Warm
7
Other
21

How their films end · 3 with a twist

  • Happy15
  • Bittersweet5
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Evan Spiliotopoulos' films?

As of October 24, 2026, 19 of their 22 MovieCove titles stream on a subscription or free service, most on Disney+ (9).

Subscription and free streaming for Evan Spiliotopoulos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 22 with a MovieCove page.

  • The Pope's Exorcist(2023)

    Screenplay

    Midcredits score: 45th percentile of all films
  • Snake Eyes(2021)

    Screenplay · Story

    Midcredits score: 27th percentile of all films
  • The Unholy(2021)

    Director · Producer · Screenplay

    Midcredits score: 13th percentile of all films
  • Charlie's Angels(2019)

    Story

    Midcredits score: 20th percentile of all films
  • Beauty and the Beast(2017)

    Screenplay

    Midcredits score: 80th percentile of all films
  • Midcredits score: 39th percentile of all films
  • Hercules(2014)

    Screenplay

    Midcredits score: 35th percentile of all films
  • Tinker Bell and the Lost Treasure(2009)

    Original Story · Screenplay

    Midcredits score: 72nd percentile of all films
  • The Nutty Professor(2008)

    Screenplay

    Midcredits score: 19th percentile of all films
  • Midcredits score: 54th percentile of all films
  • Battle for Terra(2007)

    Screenplay

    Midcredits score: 54th percentile of all films
  • Cinderella 3: A Twist in Time(2007)

    Additional Storyboarding · Additional Writing · Writer

    Midcredits score: 57th percentile of all films
  • The Blue Elephant(2006)

    Editor · Writer

    Midcredits score: 71st percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Tarzan 2: The Legend Begins(2005)

    Additional Writing · Writer

    Midcredits score: 27th percentile of all films
  • Pooh's Heffalump Movie(2005)

    Screenplay

    Midcredits score: 66th percentile of all films
  • The Lion King 1½(2004)

    Additional Writing · Writer

    Midcredits score: 65th percentile of all films
  • Midcredits score: 64th percentile of all films
  • Art Heist (not in the MovieCove catalog yet)(2004)

    Writer

  • The Jungle Book 2(2003)

    Additional Writing · Writer

    Midcredits score: 20th percentile of all films
  • Bare Witness (not in the MovieCove catalog yet)(2002)

    Writer

  • Legion(1998)

    Writer

    Midcredits score: 10th percentile of all films
  • The Outsider(1997)

    Screenplay

    Midcredits score: 4th percentile of all films
  • Mercenary(1996)

    Writer

    Midcredits score: 23rd percentile of all films
  • Broken Sword (not in the MovieCove catalog yet)

    Screenplay

  • Dangerous Games to Play (not in the MovieCove catalog yet)

    Screenplay

  • The Happiest Place on Earth (not in the MovieCove catalog yet)

    Screenplay

Career shape

A full career of 25 titles, 22 of them dated from 1997 to 2023.

By role

only this rolewith another role
Directing1 of 25: 0 only directing, 1 with another roleWriting21 of 25: 20 only writing, 1 with another role · typical Midcredits score42ndProducing1 of 25: 0 only producing, 1 with another roleOther crew4 of 25: 4 only other crew, 0 with another role

By decade

1990s2 · crew2000s13 · crew2010s4 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Evan Spiliotopoulos' films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 22; across their 22 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 22

Approval · how many liked their films

44thpercentile
Typical film, the median of 22

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 22

Midcredits score across 22 titles, by percentile

  • 75th and up1
  • 50th to 74th9
  • 25th to 49th5
  • Below 25th7

Reviewers score the dialogue 39/100 and the plot and story 40/100 in their films, across 22 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Evan Spiliotopoulos' work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore runs heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles28–76 · median 61 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity11 titles12–45 · median 21 · mildlighter than most filmsMedian of all films: 32
Profanity9 titles10–65 · median 40 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs8 titles17–33 · median 32 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles21–75 · median 46 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Evan Spiliotopoulos work with?

People who share at least 2 of Evan Spiliotopoulos' MovieCove titles, grouped by what they did on them; Jim Cummings shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers