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Alejandro Springall

Alejandro Springall

Producer, director and writer · Born January 12, 1966 (60) · Mexico City, Distrito Federal, Mexico

Alejandro Springall studied filmmaking at the London Film School (1987-1991). He returned to Mexico City in 1991, and started working with Mexican producer Bertha Navarro. In 1997 he founded Springall Pictures, his production company. Since 1996 he has been working closely with John Sayes, Maggie Renzi and Lemore Syvan. Results of this collaboration have been several films: Sayles, Renzi and Syvan are executive producers of "Santitos" and "My Mexican Shivah", both directed by Springall; Springall and Syvan produced "Casa de los Babys", directed by Sayles; Springall produced "Go For Sisters", directed by Sayles. In 2010, Springall co-wrote and directed "No Eres Tú, Soy Yo", starring Eugenio Derbez, Alejandra Barros and Martina García, produced by Matthias Ehrenberg. Released by Warner Bros. it became the 4th highest grossing Mexican film. In 2011, Springall directed the TV program "Reflexiones sobre la Batalla de Puebla", written and narrated by Carlos Fuentes. Aside from producing and directing films, Springall produced and directed the grand concert of Chavela Vargas at Carnegie Hall, NY, on September 15, 2003, introduced by Salma Hayek and Elliot Goldenthal; and the grand concert of Vargas at Luna Park Stadium, Buenos Aires in April 2004. He also co-wrote and directed "Lo que el rancho se llevó", starring Raquel Pankowsky.

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Biography from IMDb.

Born
January 12, 1966 (60)
From
Mexico City, Distrito Federal, Mexico
Works as
Producer, director and writer
Titles
8 on MovieCove · 15 credits in all
TMDB popularity, last 38 days to Oct 27Down 46% in 30 days

What are Alejandro Springall's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 7 · Stylized 1 · Heightened 0

Gentle 2 · Charged 4 · Intense 2

Steady 6 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 1

Slow burn 6 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 3 · Heavy 4

Resolved 4 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
4
Tense
3
Dread
3
Melancholic
4
Contemplative
2
Other
3

How their films end

  • Happy3
  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alejandro Springall's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Alejandro Springall's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 8 with a MovieCove page.

  • The Dreams We Share (not in the MovieCove catalog yet)(2025)

    Producer

  • Oaxacalifornia: The Return (not in the MovieCove catalog yet)(2021)

    Executive Producer

  • Sonora: The Devil’s Highway (not in the MovieCove catalog yet)(2019)

    Director

  • Midcredits score: 83rd percentile of all films
  • Midcredits score: 73rd percentile of all films
  • The Thin Yellow Line(2015)

    Producer

    Midcredits score: 94th percentile of all films
  • Go for Sisters(2013)

    Producer

    Midcredits score: 59th percentile of all films
  • It's Not You, It's Me(2010)

    Director · Producer · Screenplay

    Midcredits score: 42nd percentile of all films
  • My Mexican Shivah (not in the MovieCove catalog yet)(2007)

    Director · Story

  • Casa de los babys(2003)

    Producer

    Midcredits score: 54th percentile of all films
  • Little Saints(1999)

    Director · Producer

    Midcredits score: 67th percentile of all films
  • Men with Guns (not in the MovieCove catalog yet)(1998)

    as Carlos

  • Dollar Mambo (not in the MovieCove catalog yet)(1995)

    Producer

  • Cronos(1992)

    Co-Producer

    Midcredits score: 71st percentile of all films
  • I Passed This Way (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 15 titles, 14 of them dated from 1993 to 2025.

Film career

  • 1998Screen debut· Men with Guns

By role

only this rolewith another role
Acting1 of 15: 1 only acting, 0 with another roleDirecting4 of 15: 2 only directing, 2 with another roleWriting2 of 15: 0 only writing, 2 with another roleProducing10 of 15: 10 only producing, 0 with another role · typical Midcredits score72nd

By decade

1990s4 · 1 acting · 3 crew2000s2 · crew2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alejandro Springall's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 8

Approval · how many liked their films

68thpercentile
Typical film, the median of 8

Reach · how many have seen their films

55thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 50th to 74th5
  • 25th to 49th1

Reviewers score the atmosphere 75/100 and the pacing 43/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alejandro Springall work with?

People who share at least 2 of Alejandro Springall's MovieCove titles, grouped by what they did on them; Bertha Navarro shares the most, 4.

Directors

Actors

Composers and editors

Producers