
Katherine Squire
Actor · Died March 29, 1995, aged 92 · Defiance, Ohio, USA
Katherine Squire was born on 9 March 1903 in Defiance, Ohio, USA. She was an actress, known for When Harry Met Sally... (1989), The Story on Page One (1959) and Studs Lonigan (1960). She was married to George Mitchell and Byron McGrath. She died on 29 March 1995 in Lake Hill, New York, USA.
Read moreShow less
Biography from IMDb.
- March 9, 1903
- March 29, 1995 (aged 92)
- Defiance, Ohio, USA
- Actor
- 15 on MovieCove · 22 credits in all
What are Katherine Squire's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 0 · Serious 4 · Dark 2
Grounded 5 · Stylized 1 · Heightened 0
A split, not a type: Gentle 1 · Charged 2 · Intense 3
A split, not a type: Steady 3 · Shifting 2 · Whiplash 1
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 3 · Relentless 1
Casual 2 · Engaged 4 · Full focus 0
Easy watch 0 · Affecting 4 · Heavy 2
A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 1
Moods and endings
- Bittersweet4
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Katherine Squire's films?
As of October 24, 2026, 7 of their 15 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Katherine Squire's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 15 with a MovieCove page.

When Harry Met Sally...(1989)
Midcredits score: 97th percentile of all films
Blade (not in the MovieCove catalog yet)(1973)

Lolly-Madonna XXX(1973)
Midcredits score: 57th percentile of all films
Two-Lane Blacktop(1971)
Midcredits score: 87th percentile of all films
This Savage Land(1969)
Midcredits score: 26th percentile of all films
Adam-12(1968)
Midcredits score: 78th percentile of all shows
Ride in the Whirlwind(1966)
Midcredits score: 59th percentile of all films
Days of Wine and Roses(1962)
Midcredits score: 96th percentile of all films
Midcredits score: 97th percentile of all shows
The Barbara Stanwyck Show (not in the MovieCove catalog yet)(1960)

Checkmate (not in the MovieCove catalog yet)(1960)

Studs Lonigan (not in the MovieCove catalog yet)(1960)

Song Without End(1960)
Midcredits score: 40th percentile of all filmsThe Shape of the River (not in the MovieCove catalog yet)(1960)

The Story on Page One(1959)
Midcredits score: 57th percentile of all films
The Twilight Zone(1959)
Midcredits score: 97th percentile of all shows
Midcredits score: 59th percentile of all shows
The Veil(1958)
Midcredits score: 64th percentile of all shows
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Sincerely, Willis Wade (not in the MovieCove catalog yet)(1956)
Midcredits score: 96th percentile of all showsMiracle in the Rain (not in the MovieCove catalog yet)(1950)
Career shape
Star power in the 78th percentile of 239,109 people with a billed film role, over a full career of 21 titles from 1950 to 1989; peak year 1989.

Biggest box office
Two-Lane Blacktop (1971)

Highest rated
Two-Lane Blacktop (1971)

Most popular right now
The Veil (1958)
Film career
Peak 1989 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1966Screen debut· Ride in the Whirlwind
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Katherine Squire's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up8
- 50th to 74th5
- 25th to 49th2
Shape of the crowd
7 of their 15 titles are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser7
- Mixed3
Reviewers score the acting 70/100 in their films, across 6 reviewed titles; fans 80, detractors 41. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Katherine Squire work with?
People who share at least 2 of Katherine Squire's MovieCove titles, grouped by what they did on them; Monte Hellman shares the most, 2.
Directors
- Monte HellmanShared titles: Two-Lane Blacktop (1971), Ride in the Whirlwind (1966)See all 2 shared titles with Monte Hellman

Actors
- George MitchellShared titles: Two-Lane Blacktop (1971), Ride in the Whirlwind (1966)See all 2 shared titles with George Mitchell

- Harry Dean StantonShared titles: Two-Lane Blacktop (1971), Ride in the Whirlwind (1966)See all 2 shared titles with Harry Dean Stanton

Cinematographers
- Gregory SandorShared titles: Two-Lane Blacktop (1971), Ride in the Whirlwind (1966)See all 2 shared titles with Gregory Sandor
- James Wong HoweShared titles: Song Without End (1960), The Story on Page One (1959)See all 2 shared titles with James Wong Howe
