Arthur St. Claire
- Writer
- 6 on MovieCove · 26 credits in all
What are Arthur St. Claire's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 2 · Serious 3 · Dark 1
Grounded 5 · Stylized 1 · Heightened 0
Gentle 1 · Charged 5 · Intense 0
Steady 4 · Shifting 2 · Whiplash 0
Straight-faced 4 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 2 · Full focus 0
Easy watch 5 · Affecting 1 · Heavy 0
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Arthur St. Claire's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Arthur St. Claire's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 6 with a MovieCove page.

Rimfire (not in the MovieCove catalog yet)(1949)

The Prairie (not in the MovieCove catalog yet)(1947)

Philo Vance's Gamble (not in the MovieCove catalog yet)(1947)

Gunman's Code (not in the MovieCove catalog yet)(1946)

Queen of Burlesque (not in the MovieCove catalog yet)(1946)

The Mask of Diijon (not in the MovieCove catalog yet)(1946)
Shadow Of Terror (not in the MovieCove catalog yet)(1945)

Arson Squad (not in the MovieCove catalog yet)(1945)
Midcredits score: 17th percentile of all films (provisional, few ratings)
Delinquent Daughters (not in the MovieCove catalog yet)(1944)

Sweethearts of the U.S.A. (not in the MovieCove catalog yet)(1944)

Tiger Fangs(1943)
Midcredits score: 6th percentile of all films
Submarine Base (not in the MovieCove catalog yet)(1943)

A Night for Crime (not in the MovieCove catalog yet)(1943)

Man of Courage(1943)
Midcredits score: 15th percentile of all films (provisional, few ratings)
Miss V from Moscow (not in the MovieCove catalog yet)(1942)

The Yanks Are Coming (not in the MovieCove catalog yet)(1942)

Along the Sundown Trail (not in the MovieCove catalog yet)(1942)

King of the Stallions (not in the MovieCove catalog yet)(1942)

A Yank in Libya(1942)
Midcredits score: 9th percentile of all films
Gallant Lady (not in the MovieCove catalog yet)(1942)

The Dawn Express(1942)
Midcredits score: 3rd percentile of all films
Stagecoach Buckaroo (not in the MovieCove catalog yet)(1942)

Road Agent(1941)
Midcredits score: 40th percentile of all films (provisional, few ratings)
Secrets of a Model (not in the MovieCove catalog yet)(1940)

Boss of Bullion City (not in the MovieCove catalog yet)(1940)
Career shape
A full career of 25 titles from 1940 to 1949.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Arthur St. Claire's films land?
Their typical MovieCove film has a Midcredits score in the 12th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 21st percentile for acclaim.
- 25th to 49th1
- Below 25th5
Shape of the crowd
6 of their 6 titles are Mixed.
- Mixed6
Reviewers score the dialogue 23/100 and the plot and story 32/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Arthur St. Claire work with?
People who share at least 2 of Arthur St. Claire's MovieCove titles, grouped by what they did on them; George M. Merrick shares the most, 3.
Directors
- Albert HermanShared titles: A Yank in Libya (1942), The Dawn Express (1942)See all 2 shared titles with Albert Herman

Writers
- Sherman L. LoweShared titles: A Yank in Libya (1942), Road Agent (1941)See all 2 shared titles with Sherman L. Lowe
Actors
- Duncan RenaldoShared titles: Tiger Fangs (1943), A Yank in Libya (1942)See all 2 shared titles with Duncan Renaldo

- Howard BanksShared titles: Tiger Fangs (1943), A Yank in Libya (1942)See all 2 shared titles with Howard Banks
- Anne NagelShared titles: The Dawn Express (1942), Road Agent (1941)See all 2 shared titles with Anne Nagel

Cinematographers and editors
- Edward LindenShared titles: A Yank in Libya (1942), The Dawn Express (1942)See all 2 shared titles with Edward Linden
- Leete Renick BrownShared titles: A Yank in Libya (1942), The Dawn Express (1942)See all 2 shared titles with Leete Renick Brown
Producers
- George M. MerrickShared titles: Tiger Fangs (1943), A Yank in Libya (1942), The Dawn Express (1942)See all 3 shared titles with George M. Merrick
- Max AlexanderShared titles: Secrets of a Sorority Girl (1945), The Dawn Express (1942)See all 2 shared titles with Max Alexander



